Editor -- Evan

Editor -- Evan

Lyles & King presents new paintings by Kate Meissner in our project space, on view through April 4. Kate Meissner writes: "These works are an exploration of the human body's elasticity and c
PPOW are pleased to present Orchid Rain on the Underground, Chris “Daze” Ellis’s third solo exhibition with the gallery. The show is on view through April 25, 2026. Featuring a new se
HESSE FLATOW is pleased to announce the opening of Franklin, an exhibition of paintings and works on paper by Nat Meade, marking his third solo presentation with the gallery. The show is on view
Mrs. is pleased to present The Light That Loses, The Night That Wins, Molly Bounds’ New York debut solo exhibition, on view at the gallery’s 6040 56th Drive location. This exhibition marks t
Harper’s is pleased to announce Prussian Blue, New York–based artist Sophia Huitema’s first solo exhibition with the gallery. The presentation features new works by Huitema and will be on
South African artist Cinga Samson’s exhibition of new paintings is titled ‘Ukuphuthelwa’, an isiXhosa word in the artist’s native language that translates as ‘unable to sleep’. Unlike the
Gagosian is pleased to announce an exhibition of new tennis court paintings by Jonas Wood. The gallery’s tenth exhibition of Wood’s work, and its first based in Los Angeles, will be on view throu
Perrotin is pleased to present Borrowed Chord, Danielle Orchard’s second exhibition in Paris and her seventh with the gallery. The exhibition brings together new works that deepen her engageme
GRIMM is pleased to present Vignettes & Mutations, a solo exhibition of new paintings by Los Angeles–based artist Eric White on view through May 2, 2026. This is the artist’s fifth solo exhib
Alicia McCarthy’s abstract and colourful compositions instantly capture the viewer’s attention. From afar, the use of repeated geometric patterns recalls the Op Art of the 1960s. A closer look ye
“What I paint is something that no longer exists,” Francisco Rodríguez says. “Like how the stars we’re looking at are already dead—their light reaches us after they’ve turned to dust.”
Casey Bolding’s paintings make memory material. Using plaster and industrial paint in concert with oil, acrylic, and Flashe, the artist builds up densely layered surfaces which he then scrapes and
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