The San Luis Obispo Museum of Art (SLOMA) is pleased to present the first museum retrospective by contemporary artist Alyssa Monks. The exhibition will bring together paintings that span the arc of Monks’ career, from the early 2000’s to works created during the pandemic. Through paintings that are expressive, lush, and often intimate, Monks conveys the very essence of being human through works that meditate on love, loss, and the perennial search for self.

The paintings included in this exhibition feature large-scale portraits of Monks and those closest to her, portrayed in vulnerable or intimate contexts. Often capturing fragmented elements of a scene, or layering together various spaces and moments, Monks’ works disorient the viewer and invite reflection on one’s own vulnerability. Through the use of thickly applied brushstrokes, and her tendency to flip the background and foreground in her work using semi-transparent filters of glass, vinyl, steam, water and or foliage over shallow spaces, Monks creates surface tension in her work that eschews easy interpretation of her subject matter.

“Alyssa Monks’ paintings capture something very essential about the human experience and which we can all relate to on some level,” said SLOMA Chief Curator Emma Saperstein. “I first fell in love with Monks’ work as a teenager, and my fascination with her painting has only continued to grow as her work has evolved over time. Presenting a retrospective of her work at SLOMA feels like a natural fit, as I think audiences will both be awestruck by the technical prowess of her painting, and also deeply moved by her subject matter. We feel truly honored to be able to present such a large and sweeping body of her work together for the first time.”

From her earliest works, Monks has created paintings that are at once naturalistic, expressive, and elusive. With works like “Charade” (2010) the viewer is confronted by a woman who could as easily be struggling for the surface as she could be giving herself a moment alone with her thoughts. Offering only a fractured scene, the work invites the viewer to project and reflect on their own experience, and in doing so to find empathy for the subject. With later works, such as “It’s All Under Control” (2021), Monks uses her interest in flipping fore and backgrounds to create an obscured and abstracted surface, capturing the panic and uncertainty of the COVID-19 pandemic through a lone figure standing behind what appears as layered glass. In other works, like “Bait” (2019) Monks asserts the confidence of her subject, meeting the viewers gaze head on, capturing the strength of the painter, the viewer, and the subject.

Monks has said of her work, “My intention is to transfer the intimacy and vulnerability of my human experience into paint for someone else to connect to. Paintings are objects you need to be in the same room with to sense the energy in their surfaces. I like mine to be as intimate as possible, the painted surface like a fossil, recording every gesture and decision.”

The presentation at SLOMA is the widest-ranging survey of Monks’ work to date, with paintings that span fifteen years of her career. Taken together, the paintings offer unprecedented insight into her career and practice. The exhibition reflects the museum’s ongoing commitment to present works in diverse media. Following an exhibition of sculptural textile works by renowned artist Faig Ahmed, and a reflective and challenging immersive exhibition by Camille Hoffman, the museum is excited to present a body of figurative paintings by one of the leading contemporary painters of our time.