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Alison Friend and Ravi Zupa Highlight Harman Projects Booth @ Outsider Art Fair NYC

Harman Projects is pleased to announce our participating in the Outsider Art Fair, the premier art event for self-taught, art brut, and artists working outside the traditional art world. For our debu February 26, 2025

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"The Impressionists Were No Different from Street Artists Spray-Painting Graffiti on a Wall": An Interview with Alex Face

It’s been 150 years since Impressionism transformed our world and how we perceive it. On April 15, 1874, a collective of upstarts including Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Berthe October 01, 2024

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Dreams, Loss, and Fitting In: An Interview with So Youn Lee

A curious aspect of feeling out of place is that it’s universal. Everyone, at some point, has felt peculiar, abnormal, different from the rest. And while these abnormalities may make us feel self c June 27, 2024

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Ivy Haldeman: Notions of Slippage

One of the things I love about Ivy Haldeman is the way she lets you know that the world isn't quite what it seems. Everything is recognizable as you try to figure out why something out of context fee June 10, 2024

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The Spring 2023 Cover Story: Fruit Force Femme with Fátima de Juan

In the hands of Fátima de Juan, everything, even a boot or crocodile, exudes main character energy. Over two short years, a vast army of burly femme warriors has stormed the artist’s castle, proli February 27, 2023

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Pat Phillips: A Great American Landscape

Pat Phillips could have been a filmmaker or a documentarian, and with a brush or pen in his hand, he is, indeed, creating a moving image of America in the 21st Century. His observational eye was hone December 19, 2022

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In Conversation with Sean Norvet: From "High On Stress" to "Revenge of the Stressman"

It's been 2 years since Sean Norvet had his last solo show in Tokyo, and after seeing his smaller works in group shows in the meantime, we were eager to see a full-on elaborate solo exhibition by the May 06, 2019

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Saner: Masked But No Stranger

Edgar Flores, aka Saner, paints in a small upstairs room in his suburban enclave outside Mexico City, where light pours in from a wall of windows. Opposite are cabinets and shelves with neatly organi October 09, 2017

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Jim Marshall’s 1967: An All-Access Pass

Jim Marshall was many things: confrontational, sometimes kind and generous, other times irascible and politically incorrect, but above all, a great photographer who always somehow managed to get the February 02, 2017