Born in 1971 in Atlanta, Georgia, Anthony Goicolea is a first-generation Cuban American artist now living and working in Brooklyn, New York. Pathetic Fallacy is a collection of graphite drawings on layered mylar and large scale digitally composited photographs. The term “pathetic fallacy,” coined by John Ruskin in Modern Painters (1856), describes the treatment of inanimate objects and places as if they had human feelings, thoughts or sensations.
In this group of photographs and drawings, nature takes on anthropomorphic characteristics. A new, uneasy equilibrium is created as human and animal bodies merge, trees grow hair and pump blood, flies multiply into tornadoes and wild dogs settle in the ruins of an abandoned home. Anthony Goicolea’s version of pathetic fallacy becomes an atmospheric elegy of passing time, transition, loss and decay. In a new hybridized world of man and nature, nothing is permanent and nothing is safe. Humans, plants and animals have cross-pollinated; they have merged, evolved and adopted different features from each other. Objects acquire pathos and empathy while the decomposition of material things reflects the world in flux.