Ray Metzker is acknowledged as one of photography's true innovators since the early 1960’s. He is dedicated to exploring the formal potentials of black and white photography over the course of more than a dozen distinct bodies of work. Through cropping, multiple imagery, and other formal inventions, his work explores options for transforming the vocabulary of the photograph. From urban streetscapes and multiple imagery in the form of constructed composites, to dense and tangled landscapes, to mysterious and pure abstractions, Metzker has proven himself time and time again a master interpreter of the medium.
Yet his work does not rest solely on its inventiveness. While experimenting with multiple exposures, unusual juxtapositions, and the unexpected use of light and darkness, Metzker has imbued his images with an emotional resonance. By bisecting a streetscape with an intense ribbon of sunlight or a dense wall of shadow, he is able to evoke a feeling of hope or an aura of menace. It is this remarkable balance between technical virtuosity and humane considerations that has continued to make his work compelling over five decades.