In the 1930’s and 40’s, a Ukrainian photographer by the name of Arthur Fellig made a living photographing crime scenes for New York City area newspapers. He gained his nickname “Weegee”from the phonetic version of the ouija board because of his seemingly clairvoyant ability to arrive at a crime scene just minutes after it occurred.
An exhibition intended to open discussion about surveillance and the gaze, Exposed: Voyeurism, Surveillance and the Camera opens this week at London’s Tate Modern. The show explores themes of eroticism, celebrity, violence and security in the world around us. Over 250 works have been selected by Tate Modern in conjunction with the San Francisco Museum of Modern Art.
May 2014 - Issue #160
All year long, Juxtapoz is celebrating its 20th Anniversary by showcasing the pivotal figures in contemporary art over the past two decades. Some artists are blue chip, some are underground heroes, others are behind-the-scenes legends. This month, we honor one of the great artists from Los Angeles during our existence, Alexis Ross, who has been monumental in various landmark exhibitions including "Street Market" at Art In the Streets. From working with ESPO, TWIST, and REAS, or working on his own paintings, Ross' story is one of history, frankness, and colorful nostalgia.