On Tuesday night, Juxtapoz attended the opening of the brand new Miami Project art fair, featuring a fantastic list of artists including Cooper Cole, Richard Heller, Quint Contemporary, Eric Firestone, Marx & Zavattero, Eli Ridgway, 101/Exhibit, Kopelkin and more. Here is what we saw...

Wayne White has been one of our favorites for years, and just after featuring him in our June 2012 issue, we were very excited to see that White was going to create artwork specifically to introduce our Adult Swim content in the July 2012 special Adult Swim issue. And because we are in a giving mood, we wanted to share White's painting with you today...

Wayne White, featured in our June 2012 issue of the magazine,  maker of the wonderful "word paintings" and the former art director of Pee-wee's Playhouse, had a documentary of his life and art, Beauty is Embarrassing, released and circulating through the film festival circuit. The film is a "funny, irreverent, joyful and inspiring documentary featuring the life and current times of one of America’s most important artists, Wayne White."

We can't believe it either. Summer. 2012. Already here. Time to show you a preview of the June 2012 issue, featuring a cover story of legendary skate graphic artist Don Pendleton (with a special print offer through Juxtapoz.com in the coming days). June 2012 features former Pee-Wee's Playhouse art director Wayne White, Brooklyn's Kevin Cyr, Boston's Raul Gonzalez, Fort Thunder founder Brian Chippendale, Stockholm's spaced out Killian Eng, and the Bonnie and Clyde of graffiti, Utah and Ether.

We are pleased to announce, and show you, the cover of our June 2012 issue, featuring cover artwork from legendary skate graphic artist turned fine artist, Don Pendleton.  Also in June 2012 is former Pee-Wee's Playhouse art director Wayne White, Brooklyn's Kevin Cyr, Boston's Raul Gonzalez, Fort Thunder founder Brian Chippendale, Stockholm's spaced out Killian Eng, and the Bonnie and Clyde of graffiti, Utah and Ether.

Wayne White takes thrift store paintings, initially bad art, and recreates these kitsch items by implementing ironic text that seamlessly become part of the initial canvas, weaving in and out of the cliché landscapes that we are all used to seeing in our dentists' offices.