Juxtapoz // Thursday, July 16, 2015
If Earth is our Mother, for the sake of argument, why not go to the source and delve into an encompassing exhibition, Organic Matters – Women to Watch 2015. What’s special is that the National Museum of Women in the Arts embarked on a dedicated effort to seek ascending female artists from, not only enclaves within the States, but throughout the world. Ancient musings about our romanticism and fear of nature, as well as climate change and stewardship are explored at this show in Washington, D.C.
Street Art // Friday, June 26, 2015
December, 2013 Juxtapoz cover artist Dan Witz is yet again teaming up with PETA for a series of installations in Washington DC to draw attention to the plight of baby monkeys subjected to cruel psychological experiments at NIH. If you look closely at the next metro stop, you may spot a tiny, mournful face peering from behind prison bars, hands reaching towards freedom...
Juxtapoz // Monday, February 23, 2015
Ben Tolman creates densely rendered ink drawings depicting multi-tiered dramas of urban life. Reflecting on patterns of behavior within our constructed environments, he explores a wider view of the extraordinary systems that shape our society.
Juxtapoz // Wednesday, January 14, 2015
This winter, Fridge DC presents Brooklyn-based artist and frequent Juxtapoz contributor, David Molesky, for his second solo exhibition in the US Capital. Drawing from this past year’s widespread upheaval, Molesky has shifted his focus from the turbulence of natural elements to riots. In these recent works, Molesky paints the iron-willed who share supporting roles with crawling fire and billowing smoke. No oppositional force is present in any of the compositions; only a dark abyss appears to be on the receiving end of hurled stones and Molotov cocktails. These paintings are portrayals of humans and elements collaboratively expressing an intense longing for change.
Graffiti // Thursday, April 17, 2014
Each week we feature updates on current graffiti scenes in a number of major U.S. cities with the help of a few select photographers. Ray Mock aka Carnage NYC switches cities this week and delivers a Washington, D.C. Report.
Juxtapoz // Tuesday, October 29, 2013
Alex Prager has long been a favorite with the Juxtapoz staff, a unique, cinematic photographer who has created her own universe of imagery that stands alone as original and exciting in a world of increasingly accessible photography and filters. Much deserved, Prager will have her first museum show in the US open at Corcoran Gallery of Art in Washington, DC this November 23, 2013, featuring her latest body of work, Face in the Crowd.
Juxtapoz // Thursday, October 24, 2013
This looks to be a fantastic show, opening today in our nation's capital, with a special lecture this Saturday, October 26, featuring Yoko Ono and Raphael Montañez Ortiz, "participants in the original 1966 Destruction in Art Symposium; artist Monica Bonvicini; and art historian Dario Gamboni will explore the ways in which artists have used destruction as a means of responding to cultural and social issues."
Juxtapoz // Thursday, January 24, 2013
Ai Weiwei's first major survey of his work in the United States? Need we say more? Go to the Hishhorn Musuem and Sculpture Garden in Washington, DC and see the work of one of the most important contemporary artists today. It is on view until February 24th.
Juxtapoz // Friday, November 09, 2012
We are in a Washington, DC mood this week, obviously, and perhaps the locales there knew about J. Seward Johnson's amazing The Awakening sculpture, but we just learned of it. The 70 foot sculpture has been around since 1980, and was selected for the International Sculpture Conference Exhibition. The piece is made of aluminum, with much buried under the surface.Of course, the parts that are visible make the piece that much more dramatic.
Juxtapoz // Monday, August 06, 2012
Beginning on August 20, 2012, visitors to the Smithsonian's Hirshhorn Museum in Washington, DC can experience the transformative installation by influential and renowned artist (and November 2010 cover artist) Barbara Kruger. “Belief+Doubt” covers the lower-level lobby entry to the museum bookstore, about 6,700 square feet of surface—including walls, floor and escalator sides—covered in text-printed vinyl, surrounding viewers with lettering up to 12 feet high in a high-contrast color scheme that has become Kruger's custom of red, white and black.