Lettering Pays Tribute to 26 of the Greatest Scientific Innovations

Juxtapoz // Tuesday, May 20, 2014
We will be the first to admit that our science knowledge is minimal, perhaps that's why we work for an art magazine. Or maybe America doesn't have the best track record for teaching its students math and science. Either way, we wish we remembered more from our science classes and are glad Neil Degrasse Tyson and Netflix are around to occasionally drop some late-night science knowledge. This project from Delhi-based student Khyati Trehan aims to explore scientific diagrams and take form integration to more complex territories. It looks at experimenting with typography, lettering and illustration, paying tribute to the history of science.

General Store Typography Museum

Design // Friday, May 09, 2014
A brave man just outside of Philly has created a General Store museum of sorts.

Leif Podhajsky for Kelis' "Food" LP + Singles

Music // Tuesday, April 15, 2014
Leif Podhajsky has been one of our favorite art directors and artists for music album covers in recent years, having worked with Foals, Lykke Li, Tame Impala, Grimes, Mount Kimble, and Youth Lagoon amongst others. Leif does the new wave psychedelia very well, combining photography and collage in a way that seems both futuristic and vintage. Leif just did the packaging and cover design for Kelis' new LP, "Food," and the accompanying singles.

House Industries X Heath Ceramics

Design // Saturday, April 05, 2014
Famed typography foundry House Industries and Heath Ceramics teamed up to create a series of wall mounted clocks. Boasting House Industries's bold typography and Heath's classic ceramic style, these are a great moment of two American brands coming together.

New Book: Typorama: The Graphic Work of Philippe Apeloig

Design // Wednesday, March 26, 2014
Influential on both sides of the Atlantic, Philippe Apeloig is considered one of the most fascinating and distinguished graphic designers working right now. Beginning his formidable career in 1985 when he designed the poster for the Musée d’Orsay’s first exhibition, Chicago, Birth of a Metropolis...

Do Not Open: A Lettering Project

Design // Monday, March 10, 2014
Do Not Open is a project from Erik Marinovich, a letterer and designer based in San Francisco. Through his new project, Do Not Open, Marinovich will create a one-of-a-kind pieces of his superb lettering using your address...

The Landscape Alphabet

Juxtapoz // Tuesday, February 11, 2014
This series, found within the archives of the British Museum, is exactly what it advertises: 26 landscape scenes shaped as letters of the alphabet. The lithographs are from sometime between 1818 and 1860 and were printed by an illustrator named Charles Joseph Hullmandel.

JC Debroize's "The Human Type"

Juxtapoz // Friday, February 07, 2014
We're pretty sure that we've never had a typeface make us feel uncomfortable before. French digital artist JC Debroize's "Human Type" series, a project for the graphic design studio Kerozen, reminds us characters out of a friendly animated Pixar film that somehow made their way into our nightmares. 

The Type Fight

Design // Thursday, January 23, 2014
In the design world competition is a constant, you're always competing with your peers and even yourself to do better. The Type Fight took a more light hearted approach to competition by pitting designers against each other and letting you decide who is best. The only constants are the letterforms each designer must turn into a typographic master piece. The Type Fight's counter part, aptly named the Heavyweight Print Shop, sell each of the master pieces that are chosen for cool 20 bucks, which isn't bad because they're only producing 25 of each. 

Martin Woutisseth's 'Twin Peaks Illustrated'

Illustration // Monday, January 06, 2014
Twin Peaks is one of Martin Woutisseth's favorite TV series. In his re-creation of the television show, Martin needed to illustrate 33 characters. He speaks about the richness of the Twin Peaks universe, in terms of symbolism and detail, and wanted to be sure that nothing was lost in translation.
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