We are very excited to see San Francisco-based fine artist, Andrew Schoultz, who has been one of the mainstays in the contemporary art movement here in the Bay Area, will be opening a new exhibition at the SF Museum of Modern Art with Images in Dialogue: Paul Klee and Andrew Schoultz.

We recently saw one of Thomas Eggerer's paintings at "The More Things Change" exhibition at the SFMoMA, and thoroughly enjoyed his colors and use of figurative and spacial abstraction. Here we have a brief survey of his work.

Juxtapoz is pleased to announce that Don Ed Hardy, the pioneering tattoo and fine artist, is both the newsstand and subscriber cover artist for our new June 2011 issue. We spoke with Hardy about his show at the Artists Gallery with SFMoMA on June 9, 2011, The Unruly Art of Don Ed Hardy.

We previewed Creative Lives Season 2 and contest yesterday on the site, and because it is the last week of 2010, we are looking through some of our favorite moments. We always liked the Super8 footage that was shot by Creative Lives while McGee was setting up the centerpiece installation of the SFMoMA's 75th Anniversary Show. Watch after the jump . . .

What is a nice art tradition here in San Francisco since 1967, the SFMoMA just announced that Mauricio Ancalmo, Colter Jacobsen, Ruth Laskey, and Kamau Amu Patton are the 2010 artists for its biennial SECA Art Award. For those who don't know, "Administered by SECA (Society for the Encouragement o f Contemporary Art), one of the museum's auxiliaries, the signature award honors Bay Area artists who are working independently at a high level of artistic maturity but who have not yet received substantial recognition." More after the jump . ..

The San Francisco Museum of Modern Art is now the home to two significant photography exhibits that opened this past weekend: Exposed: Voyeurism, Surveillance, and the Camera Since 1870 and Henri Cartier-Bresson: The Modern Century. Juxtapoz visited both exhibits last week as part of a press preview and found significance not just in the real-estate that both shows covered in the museum, but in the depth and presentation that both shows contained.