Until Every Last One is Gone

Illustration // Tuesday, May 03, 2011
There's something about Michael Reedy's illustrations that trace the fragile decorative nature of blue and white wares porcelain, the cobalt oxide in his palette, their symmetrical nature... anatomical aggressiveness that hint sepia-toned scenes from a modern Sistine Chapel, like depictions of creation. Elements of collage and this collection of traditional, almost religious imagery feels ceaseless and eternal, or maybe he just knows what he's doing.

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