In Illustration: The Work of Joao Ruas

Juxtapoz // Saturday, September 17, 2011
Joao Ruas, a native of Sao Paolo, Brazil, was left alone at an early age with crayons and papers for a few hours every day. He has since developed a skillfully evocative style, in addition to unusual feral behavior which has only got worse through the years.

The Art of Wagner Willian

Juxtapoz // Saturday, September 10, 2011
We have known about Brazilian artist Wagner Willian for many years now, as his dark, and at times sexually-suggestive pop-surreal works have there way into international galleries. For over a decade, Willian has created a wonderfully provocative body of work.

Juxtapoz in Sao Paulo: One Night Out

Juxtapoz // Wednesday, August 17, 2011
This is what happens when the Editor-in-Chief of Juxtapoz Magazine travels to Sao Paulo and gets a night out with William and Herbert Baglione, Critter Fleming, and a Rolling Stone press pass. Yes, Rolling Stone. And it looked like a good night. So it goes . . .

Studio Visit: Herbert Baglione in Sao Paulo

Juxtapoz // Wednesday, July 20, 2011
Before we heading to this photo shoot, we stopped by Herbert Baglione's studio in Sao Paulo, Brazil to see what he has been working on. His brother, William Baglione was there, as was another talented artist, Flip.

Juxtapoz Rides a Helicopter with Herbert Baglione in Sao Paulo

Juxtapoz // Tuesday, July 05, 2011
Juxtapoz would love to thank everyone on Facebook for making suggestions on what actvities we should get involved in while in Sao Paulo, Brazil last week. We went for this option: a helicopter ride above the city with fine artist and former Juxtapoz cover artist, Herbert Baglione.

The Art of Carla Barth

Juxtapoz // Sunday, January 16, 2011
Sao Paulo, Brazil-based Carla Barth is a fine artist, illustrator, and sculptor, and someone we learned about recently doing research on illustration. We think her work both has a broad appeal as well as interesting intricacies that made us get in contact with her. Check out the portfolio after the jump . . .
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