Juxtapoz // Wednesday, December 11, 2013
Ending the year on a strong note, Rena Bransten Gallery of San Francisco is getting set to open a body of new work from Juxtapoz favorite, Marci Washington on December 19, 2013. Sleeping Spell will feature a series of new watercolor paintings that channel gothic, horror, mystery, and fashion traits, and remind us why we loved Washington's work so much it became the cover of our Dark Arts book!
Vault // Thursday, September 12, 2013
John Waters is a little bit of everything in the creative world; filmmaker, writer, actor, visual artist, and even has a robust art collection. Based in San Francisco, Baltimore, and NYC, we sat down with Waters in the summer of 2010, just when his book Role Models was being released, and his last show at Rena Bransten Gallery in SF was opened.
Juxtapoz // Sunday, January 08, 2012
Berkeley-based artist Tara Tucker, previously featured in the September 2011 issue of Juxtapoz, is currently exhibiting her most recent work in her new solo show, "If Wishes Were Horses," at the Rena Bransten Gallery in San Francisco, CA. The exhibition runs through January 28th.
Juxtapoz // Tuesday, April 26, 2011
Our April 2010 subscriber and Dark Arts book cover artist, Marci Washington, returns to Rena Bransten Gallery in San Francisco with For Forever I'll Be Here, featuring a new series of watercolor and gouache paintings. And Marci notes, "If everything goes according to plan there might be a new zine released that night as well." More after the jump . . .
Tracey Snelling at Rena Bransten and Chris Johanson at Altman Siegel Gallery—UPDATED with VIDEO CLIPJuxtapoz // Monday, January 17, 2011
Occasionally, it is nice to get wowed by a fun, involved exhibition. That was what we felt at Ten Years, Tracey Snelling's new exhibition of "two dimensional photographs to multi-media installations incorporating photographs, miniature constructions of buildings or towns and video screens and projections" one of the more interestng exhibits we have been to in the past few years. More after the jump . . .