Erotica // Monday, December 29, 2014
We’ve seen countless artists who are known for drawing and painting start experimenting with ceramics recently, and Rebecca Morgan makes the transition particularly well. Her drawings of wild, unusual characters work translate beautifully into clay, making her signature “Bumpkins” feel even more alive.
Juxtapoz // Thursday, March 13, 2014
Asya Geisberg Gallery is pleased to present "No Church in the Wild", Rebecca Morgan's second exhibition with the gallery. Whereas her first exhibition "Cabin Fever" presented an array of archetypal Appalachian personages, in "NCITW" Morgan gives us a glimpse of their cultural signifiers and environment. Unruly and uncivilized, her characters epitomize both historic conceptions of Appalachia and its current state of anomie and mass-market tastes combined with off-the-grid lifestyles and abject poverty.
Erotica // Thursday, June 21, 2012
'Rebecca Morgan makes work about her love and hate relationship with the conservative farm town she grew up in. Her drawings and cartoons reflect both a constant critique and a defense of rural living. She investigates the comfort, the familiar, and also the repulsion that comes with the territory of home. Morgan draws larger-than-life self-portraits, set in the woods of a theatrical Appalachia...'