Godmachine was born in Cardiff, South Wales, it was a difficult birth; his parents were in London at the time. He grew up on a steady diet of nothing...

When we were thinking of some classic Halloween art today, we thought first of the fantastic subscriber cover of the 2009 Pushead Halloween Issue done by painter John Cebollero. We think if you can pull this costume-look off for Halloween, you have the rite of passage to be a grown up celebrating Halloween.

France-based street artist, C215 recently traveled to Barcelona and painted several vibrant stencils for the local Catalonians to enjoy. C215 is featured and interviewed by Pushead in this month's printed issue of Juxtapoz.

As we announced on the site last week, our November 2011 issue was specially curated by a true icon, Pushead. This is the second time we have given Pushead the curatorial duties, and he selected Aaron Horkey to create an exclusive cover image for the November issue.

Every few years, we like to get together with the legendary Pushead and let him take over an issue of Juxtapoz. This year, our November 2011 issue is curated by Pushead, featuring an exclusive colored cover and feature with Aaron Horkey. Pushead also gathers Ashley Wood, Aryz, Lango, C215, Astro, Danijel Zezelj, Phil Frost, and others for November. Exclusive looks after the jump . . .

A large group of selected ticket holders gather at the Toy Tokyo Booth for the unveiling of "Patchwerk". A number of vinyl figures hand painted by Pushead, there's never enough for the number of fans waiting patiently, but there was something for everyone in line and the fans with the higher numbers were able to bring something home.

Pushead, who edited our October 2009 issue of Juxtapoz, will again be at San Diego Comic Con this week, with a special vinyl toy releases as well as books with the limited SKELETAL hardcover with giclee & silkscreened print, and SPARROW #15 with special limited SDCC 2011 bookplate, as well as limited giclee prints, and more.

“Usually, skateboarding imagery means to communicate an I-Don’t-Care attitude yet, ironically, there is much hard labor, by designers and screenprinters, behind the creation and production of these images.” This quote is from an old program catalog we dug up in our offices of Grind: The Graphics and Culture of Skateboarding, exhibited way back in 1995 at the Huntington Beach Art Center.