Juxtapoz // Tuesday, March 01, 2011
Today, we introduce our newest video profile, Juxtapoz Presents: Cody Hudson. We visited the graphic, installation, and sculpture artist's studio in Chicago to see how he puts together one of his wood pieces, and made a mini-remix of the process. Watch it after the jump . . .
Juxtapoz // Thursday, February 17, 2011
In our ongoing series of Juxtapoz Presents video profiles, we introduce our interview with iconic animal watercolor painter, Walton Ford. We visit Ford in his rural studio in Massachusetts, learn about genital grabbing diplomatic monkeys, and find out the stories that orginate a Walton Ford canvas. Watch the video after the jump . . .
Juxtapoz // Wednesday, February 16, 2011
Today, we present a teaser video of our Juxtapoz Presents: Walton Ford video profile. Here, you catch the fine artist, famous for his depictions of animals in large format watercolor paintings, talking about the royal monkey that liked to grab genitals. Trailer after the jump . . .
Juxtapoz // Tuesday, February 15, 2011
In conjunction with our video profile Juxtapoz Presents: Walton Ford, being released this week, we look at the cover story we published with Ford for our May/June 1999 issue. Not only was the magazine hitting a full stride, Ford was fast becoming a major contemporary art figure. Full article after the jump . . .
Juxtapoz // Monday, February 07, 2011
Last week, we showed you Parts 1 and 2 of of our video profile, Juxtapoz Presents: Duke Riley, a 3-part documentary on the NYC-based tattoo, performance, and fine artist. Today, we conclude with Part 3, where Duke goes from NYC to the sewer system of Cleveland. Part 3 after the jump . . .
Juxtapoz // Thursday, January 06, 2011
We have been fans of Joyce Ho's work for quite some time, with her oddly surrealist paintings with strong hues of yellow and warm tones creating a very cool, jarring visual experience. Finally, we are getting Joyce profiled in our upcoming February issue. A full portfolio of images and words from Joyce after the jump . . .