Vault // Thursday, July 24, 2014
We announced this week on the site that Juxtapoz was lucky to be invited to participate in what will be a fantastic public art and exhibition in Chicago during Lollapolooza. Shepard Fairey has curated a "Art Alliance: The Provocateurs" in Chicago from July 31—August 4, 2014, featuring a fantastic roster of artists from all mediums and eras. Today, we look at one participating artist, one of the famed visual artists for the Punk movement and the Sex Pistols, Jamie Reid.
Music // Thursday, July 03, 2014
In 2007, the Cornell Hip Hop Collection was established through a foundation gift from Johan Kugelberg, who donated his collection of materials that he’d gathered for the 2005/2006 traveling exhibition “Born in the Bronx – A Visual Record of the Early Days of Hip Hop” and the 2007 Rizzoli publication of the same name. Now, the show has opened at Boo Hooray in NYC.
Juxtapoz // Thursday, May 22, 2014
The Halsey Institute ofContemporary Art celebrates its 30th Anniversary with an exhibition by Juxtapoz cover artist and friend Shepard Fairey and Jasper Johns - two world-renowned artists, spanning two generations, both originally from South Carolina. The Insistent Image: Recurrent Motifs in the Art of Shepard Fairey and Jasper Johns features new work by Shepard Fairey and a survey of prints from 1982 to 2012 by Jasper Johns.
Design // Thursday, May 08, 2014
On May 8, 1920, one of the most iconic and influential graphic designers, Saul Bass, was born. Every year, we like to honor Bass by remembering just how amazing and influential his work was, from film posters and opening sequences to famous films. Bass did work for seminal films like Psycho, North By Northwest, Vertigo, Anatomy of a Murder, West Side Story, Cape Fear, Goodfellas, Casino, and many more. In honor of the man, who passed away in 1996, here is a collection of his great posters, and a few of our favorite opening title sequences...
Design // Wednesday, May 07, 2014
The Soviets were really good at making poster art in the form of propaganda, so good that even the most horrible messages had a begrudgingly nice look. But we have to say, when the Soviet graphic artists wanted to tackle anti-alcohol subjects, they make it damn effective.
Design // Wednesday, April 23, 2014
Galerie Allen in Paris has extended the exhibtion, "But, There is Only One Thing That Has Power," the works of Sister Corita Kent through May 3rd, 2014. If you don't know Corita Kent's amazing silkscreen works, she used her distinct style for many social causes in the 1960s and beyond. As her Wiki page states, "In 1962 Corita began using popular culture as raw material for her work.Her screen prints often incorporated the archetypical product of brands of American consumerism alongside spiritual texts. . . "
Vault // Wednesday, April 09, 2014
In February 2011, we ran a special cover story on one of the most influential and renowned political poster artists in the United States, former Minister of Culture for the Black Panther Party, Emory Douglas. Today we take a look back at that cover story, shot and covered so eloquently by Shaun Roberts, as one of our all-time favorite stories of the past two decades.
Juxtapoz // Wednesday, February 19, 2014
Today, we complete our portfolio showcases on the "Big 5" the artists most synonymous with San Francisco's psychedelic poster art scene of the 1960s. Victor Moscoso is a legend of course, with his Chambers Brothers poster being the cover of the March 2014 issue of Juxtapoz, but more so, his work to us is the signature look of psychedelic poster art. From found imagery, to nudes, kaliedescope eyes, and stunning summer color blends, this is what psychedelia looks to us.
Juxtapoz // Tuesday, February 18, 2014
All month, we are showcasing portfolios from the "Big 5," the artists most synonymous with San Francisco's psychedelic poster art scene of the 1960s. Today, we look at Stanley Mouse, a former Juxtapoz cover artist known for his collaborative work with the Grateful Dead. Mouse also had an artistic partnership with Alton Kelley, with both artists working together on some of the most famed posters of the era.
Juxtapoz // Friday, February 14, 2014
All month, Juxtapoz will be showcasing a collection of posters from the "Big 5" of the legendary San Francisco Psychedelic poster art scene of the 1960s. If you don't know by now, we have an extensive feature documenting the history of SF's relation to art and psychedelics in our current March 2014 issue, and today we take a look at the works of Alton Kelley. Born in Maine in 1940 and passing away in Northern California in 2008, Kelley was an often collaborator of Stanley Mouse, with his seminal work being the Skull and Roses poster for the Grateful Dead.