Dan Bannino's "Still Diet"

Photography // Friday, June 20, 2014
Dan Bannino is an Italian photographer known for his juicy sharpness, product shots, and still lives, with recognition from the likes of The Huffington Post, Artnet, Designboom, Glamour, Refinery29, and The Gloss, among many others. His latest series holds true to his signature slickness and eccentric (even repulsive, at times) subject matter.

Maurizio Di Iorio

Photography // Friday, June 20, 2014
“I have never been attracted to a photography that seizes the moment. It’s the second look that unveils the revealing detail, never the first,” says M. Di Iorio. Such sentiments from the photographers statement are reflected in a series of images titled ‘Objects’ and ‘Human being’ on the artists website. 

"One to Nothing" by Irina Rozovsky

Photography // Thursday, June 19, 2014
Irina Rozovsky traveled to Israel for the first time with the arguably impossible goal of photographing from a neutral perspective. Her intention was to produce pictures that would subvert viewer’s preconceived ideas about the country, while honoring the natural aesthetic of the region. Rozovsky’s photographs succeed in their ability to artistically function as neither an anxious tourist, nor politically driven journalist. The series resulted in her book, One to Nothing.

Maroesjka Lavigne - You Are More Than Beautiful

Photography // Thursday, June 19, 2014
Debates concerning the representation of ‘beauty’ are extensive and on-going globally. Born in Belgium, Maroesjka Lavingne has focused an exploration of this topic of discussion in Seoul, South Korea. Her body of work ‘You Are More Than Beautiful’ aims to question the rising popularity of cosmetic surgery and its proliferated image of desirability within their media. 

One No One and One Hundred Thousand

Photography // Thursday, June 19, 2014
What was supposed to be a cross-country photographic journey across North America turned into a 10 month stay in the Salton Sea on Southern California. What Italian photographer Nicholas Albrecht found there was a unique mixture of lifestyle and landscape that he felt had yet to be photographed. 

The work of Jade Finnan

Photography // Wednesday, June 18, 2014
The next generation of bright young things on their paths to take the world by storm are already showcasing their promising talents in graduate exhibitions across the country. University of Salfords’ fashion photography graduate Jade Finnan being one of them.

"In the Shadow of Freud’s Couch" by Mark Gerald

Photography // Wednesday, June 18, 2014
Mark Gerald is both a photographer and a psychoanalyst. With a Ph.D., two Master’s degrees, and a position at the Institute for Contemporary Psychotherapy, Gerald is internationally recognized and published for his dialogue regarding psychoanalytic psychology. In addition all of this, Gerald studied photography at Pratt Institute and with the International Center of Photography, among several other workshops at respected institutions. 

"Zuma" by John Divola

Photography // Wednesday, June 18, 2014
A lot can happen to a building in two years. And that’s just what photographer John Divola shows in his 1979 project “Zuma.” In this collection of photographs, Divola explores the relationship between inevitable, natural weathering and intentional, human destruction, including graffiti and vandalism.

The Dark Side of Dreams

Photography // Wednesday, June 18, 2014
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

The Crashing of Porcelain by Martin Klimas

Juxtapoz // Tuesday, June 17, 2014
"From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose..."

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