Music // Wednesday, December 19, 2012
When we have been looking back at the music videos we loved in 2012, there is a part of us that consider the artist and track. Earl Sweatshirt had a huge year in our office, whether in collaboration with Flying Lotus, or on the fantastic track, "Chum". Video director Hiro Murai takes the haunting track and makes a simple, beautiful black and white treatment.
Music // Tuesday, December 18, 2012
On the topic of double exposures, we turn to one of our favorite music videos of 2012, a gem directed by Greg Hunt for musician Duane Pitre and the track, Feel Free. As Hunt says of the video, all shots were double exposed entirely in-camera on super-16mm. The music in this video is a collage-edit comprised of audio taken from the 38-minute studio recording of Pitre's Feel Free composition, from the album of the same name.
Music // Monday, December 17, 2012
We are going back through our year of favorite, artistic music videos, and we were huge fans of Juxtapoz friends Jay Howell and Jim Dirschberger's animated, art directed, and illustrated music video for Trash Talk band and the the track, "Slander." After seeing Trash Talk perform over the years through our brothers at Thrasher, we suggest listening LOUD. Enjoy after the jump . . .
Music // Tuesday, December 11, 2012
Icelandic band, Sigur Rós, have always created music on their own terms with an original sound, production, and visual identity. Over the past year, they have been releasing music videos with renowned filmmakers as part of the Valtari Mystery Film Experiment. Ryan McGinley's film happens to be one of our favorites of the year. To conclude the series, we have the Elle Fanning-starring video by Floria Sigismondi for the track, Leaning Towards Solace. Enjoy.
Music // Monday, December 03, 2012
Normally, an Elijah Wood starring video would not make it on our radar, but when it comes in the starring role of an awesomely bizarro music video for Flying Lotus "Tiny Tortures" (off of the sublime FlyLo 2012 album Until The Quiet Comes), we are all ears and eyes. Is it a dream? Where did that hand go? Only director David Lewandowski knows. Watch...
Music // Thursday, November 22, 2012
Wow. We don't know why we became so transfixed with this video, how we couldn't dare take our eyes off of it, but Emily Kai Bock's Nightlife video for musician Sebastien Schuller is one of the better ones we have seen all year. You don't need a big budget, some grand arching storyline, just an expert idea of light and mood. Somehow, we are either excited about our trip to Miami in two weeks, or terrified. Stunning simplicity at work.
Music // Wednesday, November 14, 2012
In case you were recently perusing photos of this last Halloween and feeling nostalgic about pseudo-creepiness and absurd get-ups, there are ways to bring yourself back to that time. If you are a fan of fine literature, an Edgar Allan Poe a short story is a perfect solution. If you prefer music videos, then this one provided by (Charles)Book&Record can potentially satiate your need.
Music // Tuesday, November 13, 2012
One of the best albums of 2013 has to be Tame Impala's Lonerism, a mix of psychedelic, experimental pop that has been playing in this writer's house for weeks now. The video for one of the album's best tracks, "Feels Like We Only Go Backwards," is exactly what it sounds like: a psychedelic collage of beautiful colors.
Music // Sunday, October 07, 2012
In our opinion, the new Grizzly Bear LP, Shields, is one of the best of 2012, and "Yet Again" one of the best tracks on said album. The track just got a wonderful video treatment from director Emily Kai Bock, following an ice skater's serene yet imperfect routine that descends into a bit of chaos and anger. Like the song. Well done.
Music // Thursday, September 13, 2012
Using 3D mapping is a technology that you see more and more in contemporary videos, but in our minds, you need a good actor to pull off the action. Leave it to the lead singer of the band Willlow, and their track "Sweater," who shot this entire video in a studio, on one mini-stage, with 3 beamers projecting on a floor and two walls. The results? Simply put: worth a watch.