Juxtapoz // Wednesday, July 09, 2014
Adidas presents its collaboration with performance artist Marina Abramović, unveiling an original, short video celebrating the brand's partnership and support of the 2014 FIFA World Cup™ in Brazil. The three-minute film captures the first ever re-staging of Abramović's iconic 1970s performance "Work Relation"...
Juxtapoz // Thursday, August 08, 2013
We are going to mix in and out of the press release and our own thoughts her. Last week at a three-day retreat in upstate New York, famed artist Marina Abramovic instructed super pop artist Lady Gaga in the Abramovic Method—a series of exercises designed to heighten participants' awareness of their physical and mental experience in the present moment. The workshop was part of a promotion for Abramovic's new Kickstarte for the Marina Abramovic Institute (MAI)...
Juxtapoz // Monday, March 25, 2013
One of the first artists to use performance as a visual art form, Marina Abramović's career spans over 40 years during which she performed countless pieces exploring physical and emotional limits for her art. See her performances documented in pictures after the jump...
Juxtapoz // Monday, March 21, 2011
We say "if only" because if Todd "REAS" James and Steve "ESPO" Powers were going to take their slot at MOCA's "Art In the Streets" and do a musical version of the seminal cult graffiti film, "Style Wars," like they were Marina Abramovic performing for museum goers everyday, all day, that would be something to see. More after the jump . . .
Juxtapoz // Wednesday, December 29, 2010
Think about it. To sit in front of 1,500 people for 716 hours and 30 minutes without outwardly expressing herself, as Marina Abramovic did at her historic Museum of Modern Art performance exhibit this past summer, aptly titled "The Artist Is Present," was one of the highlights of the art world in 2010. Maybe it was the highlight. Marco Anelli’s powerful portraits of sitters in front of Abramovic will soon be available in a monograph from Aperture. More information after the jump . . .