Juxtapoz // Wednesday, November 26, 2014
Lazarides Rathbone is pleased to announce a major new body of provocative work from Australian artist Anthony Lister. Hurt People - Hurt People presents a series of multi-faceted portraits saturated in celebrity and media obsessed disaster, continuing the artist’s distinguished superhero series featured in 2013’s Unslung Heroes.
Erotica // Tuesday, November 25, 2014
We know this isn't traditionally known as "erotica," but because of the NSFW nature, it resides in this section. But Polly Penrose's serios "A Body Of Work" has such a command of color, structure and form, and we love her comment that "It feels like I’m hammering my body into the landscape of the room, one picture at a time."
Juxtapoz // Tuesday, November 11, 2014
David Walker returns to the city where he first made his mark with a major solo show ‘A Blank Canvas is a White Flag’. Walker’s first London gallery show in three years, sees this incredibly talented urban artist presenting a fresh new take on his signature portrait style in a show named after a mantra coined by the artist himself; which refers to the creative battle an artist wages to create work in today’s climate in the face of conspiring forces both internal and external.
Juxtapoz // Friday, November 07, 2014
My Mother Caught Me Doodling is a new exhibition by prolific daydreamer Mike Perry that looks at the awe-inspiring naked female form.
Juxtapoz // Tuesday, November 04, 2014
Well known for his wild and provocative architectural projects, Alex Chinneck has created a house built completely from wax and called A Pound Of Flesh For 50p. This new work took over a year of working with many different chemists, wax specialists and engineers and is set to melt over the next 30 days.
Juxtapoz // Monday, October 27, 2014
Russian Criminal Tattoo Police Files is a selection of photographs of Russian prisoners tattoos collected by Arkady Bronnikov between the mid-1960s and mid-1980s. A senior expert in criminalistics at the USSR Ministry of Internal Affairs for over thirty years, part of Bronnikov's duties involved visiting correctional institutions of the Ural and Siberia regions.
Erotica // Wednesday, October 22, 2014
It is funny to include these groundbreaking works in an Erotica section, yet looking at it another way, these works pratcially invented the term. From The Courtauld: Egon Schiele (1890 - 1918) is one of the most important artists of the early 20th century and a central figure of Austrian Expressionism. This exhibition brings together an outstanding group of the artist’s nudes to chart his ground-breaking approach during his short but urgent career. Schiele’s technical virtuosity, highly original vision and unflinching depictions of the naked figure distinguish these works as being among his most significant contributions to the development of modern art.
Juxtapoz // Tuesday, October 21, 2014
Timothy Taylor Gallery in London is very pleased to announce an exhibition of new work by New York-based artist Eddie Martinez. Coinciding with London’s annual Frieze Week, this will be the artist’s first exhibition at the gallery. We had a chance to both see Eddie's work in London at Frieze, as well interview him for the upcoming December issue of Juxtapoz. Stay tuned for that...
Juxtapoz // Monday, October 20, 2014
Wangechi Mutu just opened her second exhibition at Vicoria Miro gallery. Widely known for her elaborate collages that explore and subvert cultural preconceptions of the female body and the feminine, Mutu's practice has been described as engaging in her own unique form of myth-making...
Juxtapoz // Monday, October 20, 2014
Skarstedt London is delighted to announce Strangers, the first U.K exhibition by American artist Justin Adian. The exhibition will feature a series of new paintings and will coincide with Frieze London. Strangers is a meditation on Adian’s relationship with his works and the transformation that occurs once they have left the familial environment of the studio to venture out in the world: “Once something leaves the studio it changes, kinda moves onto its own life, its own scene.”