Evan Hecox, August 2012

Vault // Monday, March 04, 2013
There is a duality in the work of Evan Hecox. Each piece of art is instantly recognizable as his, from skate graphics to fine art pieces, there is a command of style unlike any artists I can recall. Secondly, the viewer recognizes a location and history in the paintings—his street corner signage—the storefronts are abstract but familiar.  

Joram Roukes, April 2013

Vault // Tuesday, March 12, 2013
Creating pieces both intimidating and inventive, 29-year old Dutch painter, Joram Roukes works out of the small town of Groningen in northern Netherlands. With airy layers and dream-like surrealist landscapes, Roukes’ stream-of-consciousness style creates multiple layers of content as well as medium. Fluidly designed, elements of Roukes’ creatures and narratives extrude and protrude from one another. “I am engaged in what the viewer will see and think. I think the paintings steer but not dictate. That is what I like to do, to confuse, allowing the viewer to express or project their point of view on what they see.”

Juxtapoz x SFMOMA

Juxtapoz // Friday, January 18, 2013
Serendipity surged in San Francisco last night as DJ Roofeeo rocked the 5th floor of the Rooftop Pavillion at the SFMOMA which partnered with Juxtapoz Magazine to herald Rafael Lozano-Hemmer’s presentation, Frequency and Volume.

Hannah Stouffer's 'Winter's Reflection' Print Release

Illustration // Monday, January 07, 2013
'In this work, Hannah Stouffer is exploring the concept of land, escape and nostalgic solitude within a space. Stouffer portrays a post-primeval desire for our natural environment, fully realized through both memory and beingness. Through the use of her distinctive vibrance and idealized imagery, her new work aims to not only capture a reality but also represent an ideal within a landscape.' This limited edition print was released today through 1xRun.

Sage Vaughn x Ace Hotel x 42 Below

Juxtapoz // Thursday, September 27, 2012
Los Angeles artist road-tripped out to Palm Springs to paint a mural for the Ace Hotel and sit poolside to soak up some rays.

Preview: September issue featuring Daniel Clowes, London Police, and David Shrigley

Juxtapoz // Wednesday, August 01, 2012
A busy summer it has been all around in the art world, but in our home base of the San Francisco Bay Area, we have had two significant museum retrospectives that have made their way into the September 2012 issue of Juxtapoz. First off, we celebrate our cover story, Daniel Clowes, and his fantastic exhibition at the Oakland Museum of California, Modern Cartoonist: The Art of Daniel Clowes. Over the years, the iconic comic book artist has given us cult-followed works such as Ghost World, Eightball, Wilson, and numerous covers for The New Yorker.

Black Dynamite, July 2012

Vault // Sunday, July 01, 2012
Black Dynamite has been slowly infiltrating his way into all forms of media ever since Michael Jai White first conceived the character in 2006. After a critically acclaimed film in 2009, the Black Dynamite team joined up with Carl Jones to take Dynamite into television.

Don Pendleton, June 2012

Vault // Friday, June 01, 2012
In the approximately 35 years of modern skateboarding, the importance of the artwork adorning the bottom of the boards themselves cannot be overstated. A mash-up of personal expression, corporate branding, propagandic conveyance, and sometimes, even true fine art at their best, they can express many of the seemingly schizophrenic facets of the skateboard world for which they speak.

Do you live in San Francisco??

Illustration // Tuesday, May 22, 2012
Do you have aspirations of working for one of the longest running contemporary art publications in the history of awesome? Juxtapoz is currently accepting submissions for an intern to fill the position of an assistant editor in the Illustration department- both print and web.  If you think you have what it takes and you're geographically located in the same city as we are, please apply...

Steve “ESPO” Powers, May 2012

Vault // Tuesday, May 01, 2012
For Steve Powers, the mandate of Public Art is entrenched in public service. I hope his mission continues and catches on with others in the field. Beyond offering an inspiring uppercut of double entendre’d messaging, Powers offers a free sign making service to the surrounding neighborhood during his stay. In this way he can give back to the local shops in need of some exterior surface painting outreach. After all, they are the ones permanently hosting the event whether they like Powers’ work or not. That way, he leaves an impression when he leaves an impression.
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