Juxtapoz // Monday, August 04, 2014
Over the last month on Juxtapoz.com, we’ve been documenting the behind-the-scenes making of Jeremy Fish’s animated mural that coincides with his next art exhibition, Yesterdays and Tomorrows. Using various Adobe programs, including Adobe Creative Cloud, with animator Brady Baltezore, Fish has taken 100 11x14-inch ink-on-paper drawings and turned them into one continuous animation. This past weekend in San Francisco...
Juxtapoz // Thursday, July 24, 2014
In our last video following the progress of Jeremy Fish’s animated mural for his exhibition “Yesterdays and Tomorrows,” we were introduced to filmmaker, artist, and technical guru Brady Baltezore. Baltezore has been taking Fish’s 100 drawings, all done on 11x14-inch paper, and transforming them into one continuous animation that will be projected on a wall in North Beach in San Francisco.
Juxtapoz // Wednesday, July 23, 2014
By the time hip-hop artist and producer Aesop Rock released his brilliant 2007 album, None Shall Pass, he was already a major name within the underground hip-hop scene. But None Shall Pass sounded a bit different than his past work: the lyrics were more esoteric, stories more dense, the beats and samples a bit more abstract. And, it was an album that showcased a unique friendship: Jeremy Fish was not only the creator of the cover artwork for None Shall Pass, but his signature characters were animated in the music video for the album’s title track.
Juxtapoz // Wednesday, July 16, 2014
At some point in the process of making his mural animation, Jeremy Fish was going to have to go to summer school — the Brady Baltezore School — where he would learn about all the advantages of Adobe’s latest updates to Creative Cloud.
Juxtapoz // Thursday, July 10, 2014
For the past few months, we have been following a special project between Adobe, Juxtapoz, and Jeremy Fish, in which Fish will be creating an animated mural that utilizes the new updates to Adobe Creative Cloud and the new creative hardware, Adobe Ink & Slide. Previously we had asked, “What if Fish took his 100 drawings—telling not only his history but also a special story about San Francisco—and created an animation that could be projected in a public space in the city for passersby to see as part of a moving-mural experience?” At the end of July 2014, Fish will be projecting the mural in the North Beach neighborhood, which he calls home.
Vault // Tuesday, July 08, 2014
We have a long history with Mr. Jeremy Fish. He used to work in our offices with Think Skateboards, honing his chops as one of our favorite skateboard artists of all time. He then spread his wings and became one of the most popular and beloved artists we’ve had the honor to cover in our magazine, from fine-art shows and European tours to album covers and illustrations. As chance would have it, he is one of just a handful of artists to make the cover of Juxtapoz twice. We consider him family.
Juxtapoz // Friday, June 27, 2014
Juxtapoz has been lucky enough to document many different art movements as they have grown over the last 20 years. A benefit that Juxtapoz provides readers is the chance to watch an artist create. Over the next month, we are following two-time Juxtapoz cover artist Jeremy Fish as he builds a moving-mural animation in anticipation of his next solo exhibition, Yesterdays and Tomorrows.
Juxtapoz // Tuesday, June 24, 2014
As we announced earlier this week on Juxtapoz.com, Juxtapoz, Adobe, and artist and illustrator Jeremy Fish have teamed up on an animated mural project to coincide with Fish's upcoming exhibition "Yesterdays and Tomorrows" opening in August 2014 a FFDG.
Juxtapoz // Thursday, June 19, 2014
San Francisco artist Jeremy Fish has played a major role not only in Juxtapoz’s growth over the last two decades, but also in the growing movement of artists who grew up in skateboarding and who have formed successful careers in exhibiting art. Not only that, but we consider Fish a friend. He’s a two-time Juxtapoz cover artist, and we look forward to all his immersive paintings and explorations into narrative-based exhibitions.