Juxtapoz // Friday, March 28, 2014
Widely regarded as one of the most influential artists of our time, Mike Kelley (1954-2012) produced a body of deeply innovative work mining American popular culture and both modernist and alternative traditions - which he set in relation to relentless self and social examinations, both dark and delirious. His traveling retrospective, "Mike Kelley," opens at MOCA's Geffen Contemporary on March 31, 2014, and will be on display through July 28, 2014.
Juxtapoz // Thursday, March 20, 2014
As we noted on the site earlier this week, September 2013 cover artist Geoff McFetridge is to open a solo show, "Meditallucination" at V1 Gallery in Copenhagen on Friday, March 21st. The first round of previews centered around the Los Angeles-based artist's paitnings, and today we have a look at the fantastic drawings and studies McFetridge created around the show, which are arranged in an installation piece at the show. Take a look! And if you are feeling saucy, take a look at Geoff's board he handpainted as part of our Jux x Univ x Chandran Gallery benefit for Waves for Water.
Juxtapoz // Tuesday, March 18, 2014
If you want someone to come tidy your apartment, we think we have found your man in Michael Johansson, an artist who takes a real-life Tetris approach to both public and fine art. The artist has a knack of compartmentalizing the right objects into the right spaces to create incredible collages of no longer used goods in a colorful, eye-popping way. Michael is featured in our current, April 2014 issue of Juxtapoz Magazine.
Juxtapoz // Monday, March 03, 2014
Home and Away and Outside at Schirn Kunsthalle Frankfurt is an exhibition in three parts by Tobias Rehberger, one of the most influential German artists of his generation. An artist who defies categorisation, Rehberger creates objects, sculptures and environments as diverse in subject, media and context, as they are prolific...
Street Art // Wednesday, February 26, 2014
Swoon will be creating a monumental site-specific installation in the fifth-floor rotunda of the Brooklyn Museum. Swoon: Submerged Motherlands will transform the gallery into a fantastic landscape and immersive experience, and will be on view from April 11 through August 24, 2014. The installation centers on a monumental sculptural tree, which will rise into the 72-foot-high dome, with a constructed environment at its base...
Juxtapoz // Wednesday, February 12, 2014
Barcelona collective Penique Productions are known for filling large spaces, both gallery and public, with colored plastic. As if wrapping leftovers with a plastic wrap, Penique covers an entire space in a transformative color, changing the way the viewer sees the space, and simplifying the viewing experience and space to a simple color construction.
Juxtapoz // Monday, February 10, 2014
Featured in our February 2014 issue, we love to see Olek back in San Francisco, with the installation "I Haven't A Single Explorer On My Planet" at the White Walls Project Space. As with much of Olek's work, there are political undertones and messages to be discovered...
Juxtapoz // Thursday, February 06, 2014
As Juxtapoz is preparing our special print edition feature with the Chicago-based artist Nick Cave, we were excited that we got a chance to meet up with him in Boston prior to opening. But that is for another day... we are here to tell you to go and see Cave's new exhibition at the Boston ICA. Cave is famous for his his “Soundsuits”: full-body outfits crafted from discarded objects found in antique shops and flea markets.
Juxtapoz // Wednesday, February 05, 2014
Artist Roxy Paine takes the concept of a diorama to a new level, creating life-size recreations of fast-food restaurants or a control room. Payne is inspired by environments that are meant to be activated by human interaction. This installation, titled Control Room, is hand-carved from birch wood, formed with steal, and finished with automotive paint.
Juxtapoz // Monday, February 03, 2014
Like some sort of three-dimensional neon and pastel Mandala, artist duo Nicole Andrijevic and Tanya Schultz use sugar, pigment, polystryene, wax, modeling clay, paper, plastic, found objects, wire, beads, glitter, and much more to fill floors and spaces with their Candyland colored worlds.