Juxtapoz // Saturday, November 17, 2012
Lidó Rico suffers and, as in his paradoxical imaginary, he enjoys building his own body, his process has a little bit of performance or action painting.(45) What we ha ve isn’t the remaining, and nor the process is something unessential, on the contrary, immersion and the final sculptural body, the act of getting into plaster and the figure coming out of the wall are, in all senses, the same work of art....
Juxtapoz // Friday, November 16, 2012
201 Days is the documentation of physical sensations felt by the creator Katie Lewis. Using simple tools like pins, thread and a pencil she mapped her sentiments on a invisible grid. Each section of the grid on the wall is correlated with a different part of the body. Every time she felt a sensation in a particular area on her body, she documented the feeling onto the corresponding place on the grid with a pin and the date.
Juxtapoz // Thursday, November 15, 2012
Normally we would think a room full of hundreds or thousands of balloons would be noisy and annoying, but not when German artist William Forsythe is at the helm. The site-specific work, Scattered Crowd, takes the visitor into a dreamlike, fairy-tale-esque landscape. And hopefully, nobody pops a balloon and ruins the tranquility.
Illustration // Wednesday, November 14, 2012
Featuring works from Aminah Slor, D.V. D'Andrea, and Hunter de la Ghetto, "The Shroud Opaque" is Old Crow Tattoo and Gallery's newest (and frankly, awesome) show. We've got a review and pictures for you here, but you'd best head over there before December 1st to see it in person.
Juxtapoz // Tuesday, November 13, 2012
Want to cure your fear of heights? Want to make it worse? Want the illusion of flight and walking on air? Well, then you should head to Milan, Italy and take part in the interactive installation, On Space Time Foam, by Tomás Saraceno at Hangar Bicocca atrium. The piece is a floating structure composed of three levels of clear film that can be accessed by the public.
Juxtapoz // Wednesday, November 07, 2012
If you film it in your country, you get the creepy airport installation/sculpture. At the Wellington Airport in New Zealand, a 2,645 pounds,9.8 foot high and 43 foot long sculpture of Gollum is now reaching over you as you wait and eat before your flight. Done in conjunction with the release of The Hobbit (in theaters on December 14), the piece was created by the Weta Workshop.
Juxtapoz // Tuesday, November 06, 2012
Let's let Jen Lewin explain "The Pool": The Pool is an environment of giant, concentric circles created from interactive circular pads. By entering the pool, you enter a world where play and collaborative movement create swirling effects of light and color. Imagine a giant canvas where you can paint and splash light collaboratively.
Juxtapoz // Tuesday, November 06, 2012
Obviously, unless you have been under a rock, you know that it is Election Day here in the United States of America. That said, go vote. Don't read blogs. Wait, maybe the New York Times, but not art blogs. But if you happen to be on the art blog rounds today, we found this sculpture by Katie Grinnan called Mirage, that we thought spoke to the coming together of people to do something in unison. Hopefully vote blue. Or perhaps that Mirage thing is too much to ignore...
Juxtapoz // Friday, November 02, 2012
Lara Mezzapelle and Giacomo Deriu live and work between Bologna and Barcelona. Their artistic research, born out of sharing personal and professional artistic careers, explores the new possibilities offered by digital language to develop New Media Art works, such as interactive video installations and installations/sculptures modeled on 3D graphics software and built by laser prototyping.
Juxtapoz // Monday, October 29, 2012
German-based artist, Corneila Konrads, continues to make incredible land art installations that defy gravity and float naturally over landscapes around the world. Using branches, stones, and other natural objects, her installations strike an ambivalent pose.