Tauba Auerbach's 50/50 Floor in "Field Conditions" @ SFMoMA

Juxtapoz // Thursday, September 13, 2012
Last week, we attended the preview of the SFMOMA's newest exhibition, Field Conditions, an exhibit that "bends and blurs the boundaries between conceptual art and theoretical architecture, using the notion of the 'field' to frame an investigation into the construction, representation, and experience of space." One of the standout installations was the 50/50 Floor by Tauba Auerbach paired with Rafael Lozano-Hemmer's Homographies (2006) made for quite the visual and sensory experience.

Working With Feathers: The Art of Kate MccGwire

Juxtapoz // Sunday, September 09, 2012
Kate MccGwire's practice probes the beauty inherent in duality, exploring the play of opposites - at an aesthetic, intellectual and visceral level - that characterises the way we conceive the world. She does this by appealing to our essential duality as human being, to our senses and our reason, and by drawing on materials capable of embodying a dichotomous way of seeing, feeling, and thinking.

Magazine Sculptures by David Mach

Juxtapoz // Saturday, September 01, 2012
We know Scottish-based artist David Mach for his coat hanger work and matchstick sculptures (we posted them on the site before), but now we know what he does with his old magazines: he makes gallery sized sculptures with them. We just hope there is a Juxtapoz or 10 in there somewhere. 

Your Rainbow Panorama in Pictures

Juxtapoz // Thursday, August 30, 2012
We have shown you this project before, but not these images. Choose what hue or tint you would like to view the world in. The rooftop at the Aros Museum in Aarthus, Denmark permanently hosts this circular rainbow walkway designed by Olafur Elliasson. At night, the installation is lit up from inside by spotlights embedded in the floor.

Feature: Moneyless, Documented in Los Angeles

Juxtapoz // Friday, August 17, 2012
When you are moneyless you have to be creative in your endeavors to make ends meet. Its fitting Teo "Moneyless" Pirisi is drawn to the cycle where two ends meet to create infinite symmetry …the perfect circle. Art movements also move in cycles and artists often move within circles.

The Astral Flight Hangar by Dev Harlan

Juxtapoz // Friday, August 17, 2012
From 2011: Astral Flight Hangar is the first solo exhibition at Christopher Henry Gallery of multidisciplinary light artist Dev Harlan. Occupying two floors, his hybrid works combines the physical and the virtual with the use of sculpture, light and projection.

Newspaper and Magazine Sculptures by Yun-Woo Choi

Juxtapoz // Friday, August 17, 2012
Who says the news is boring? Korean artist Yun-Woo Choi creates amazingly complex, motion-filled sculptures out of old newspapers and magazines, taking new meaning of the concept of recycling. Something about the news and information, and the way we process it, being turned into a massive, fluid, complex movement is quite a statement. 

A City Of Staples

Juxtapoz // Thursday, August 16, 2012
Peter Root took around 40 hours and over 100,000 staples to creates a Staple City (can you imagine Gob Bluth saying this... "Need to get some papers connected, no worries, you're living in Staple City." Anyone? Digression.) Ephemicropolis resembles a mini metropolis of skyscrapers and urban planning. 

Photography of Jennifer B. Hudson

Juxtapoz // Wednesday, August 15, 2012
"This is new, experimental work exploring ideas of memory and memory loss. This work begun with larger scale sculptural installations using organic material to create 'armor' or head adornments for the human subjects. The final works are digital photographs, 10 x 10 inch archival pigment ink prints."

Yamamoto Motoi: "Return to Sea"

Juxtapoz // Monday, August 13, 2012
Yamamoto Motoi hails from Hiroshima Japan where he worked in a dockyard until he decided to commit full-time to art production at 22-years-old. Based on his "Return to Sea" project alone, it seems that Motoi has made a good choice. After his sister had passed away from brain cancer, Motoi made a series of installations that quite literally flatten the patterns and channels within the brain by rendering them in poured salt.

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