Juxtapoz // Wednesday, March 18, 2015
Evan Penny creates altered renderings of the human figure from silicone, pigment, hair, fabric and aluminum. Pushing the limits of figural representation through distortions of stretching skewing, and exaggerated scale, Penny further "blurs the boundaries between the real and the unreal, truth and imagination, and photography and sculpture."
Erotica // Tuesday, March 17, 2015
We are familiar with the works of Juan Francisco Casas because when it first appeared on the web a few years ago, we were all quite amazed at the bic pen detail and extreme photoreal quality of the work. Now, we trying to figure out how the artist gets this hypersexual work on social media...
Juxtapoz // Monday, March 16, 2015
You know we like a good hyperreal painter here at Juxtapoz... I mean, we made an entire book on the subject in late 2014. We just came across these works by German painter Mike Dargas, and although we were about to throw these in Erotica (I mean, dripping honey and chocolate on women in this context is a little on naughty side). we found the paintings of the tough guys at the end not so much erotic as they were badass and mean.
Juxtapoz // Thursday, January 22, 2015
One of the things that puts a good hyperreal drawing in context is a process photo. I think most of the time, myself included, think that perhaps an artist may be pulling some digital trickery in their amazing illustrations, and Malaysia-based artist Monica Lee does these fanastic graphite drawings, but also shows her process along the way.
Juxtapoz // Thursday, January 08, 2015
We need to feel like we belong to this experience, we need to know our place, we need to know where we fit. We need to feel that we're accepted for who we are. So the goal you may think is to, get a show, get press or to make money or to have fame. But it's not, the thing we all really want is to feel connected.
Erotica // Tuesday, January 06, 2015
Marilyn Minter has long been one of the most talented and alluring of hyperreal painters, and her depictions of the female form are almost surreal in their finished state. Now, well, she has focused her attention on pubic hair, both in painting and photography, and we mean lots of pubic hair, in a new book called "Plush," for which there were only a limited edition of 500 printed with 10 deluxe copies, published by Richard Prince's Fulton Ryder book shop.
Juxtapoz // Tuesday, November 25, 2014
South Korean artist Choi Xooang shows us the realism of the human emotion frozen in an instant. The flow of life through polymer clay figures breathes the difficult reality we face today if Man does not confront the outer world. Choi personifies what he feels inside canalized by every emotion in a multidimensional way. He works through the whole body or a part, focusing on the intensity of sensation as he crystallizes life filled with so much severity and darkness....
Juxtapoz // Monday, November 24, 2014
The Moen Mason Art Gallery in Tucson, AZ has debuted Class War: New paintings by Nick Flatt. Flatt debuted six new paintings and a glitter bombed motorcycle installation at the opening of his new show Class War. Class War deals the viewer six different slices of the social inequality dialog. True to form, Flatt’s new exhibition showcases his jaw dropping attention to detail, technical proficiency, as well as his views on consumerism.
Erotica // Friday, November 14, 2014
Aaron Nagel has some standout, new paintings featured in our new Juxtapoz Hyperreal book, and we wanted to show you his newest paintings from 2014 today. Most of these paintings were shown at Nagel's "Fathoms" solo show at Lyons Wier Gallery in NYC this past May.
Juxtapoz // Tuesday, November 11, 2014
We have been excited about the work of Jen Mann for most of the year, especially because of her inclusion in our Juxtapoz Hyperreal book and her newest body of work that is set to open on November 20, 2014 at Neubacher Shor Contemporary in Toronto. We have a feature with Mann in the current December 2014 issue, with much of her new work being previewed there.