Design // Friday, September 20, 2013
As part of their redesign, The New Yorker brought in House Industries to help with custom versions of the classic Neutraface typeface. Working with the original Neutraface designer Christian Schwartz and The New Yorker creative director Wyatt Mitchell, House Industries' Ben Kiel to modernize and stay true to nine decades of design heritage. Watch a video of Mitchell explaining the challenges and thoughts behind the magazines redesign as a whole.
Music // Wednesday, September 18, 2013
Before everyone gets all in a huffy about Kanye West and the fact that they think he is an egotistical megalomaniac, we are going to just agree to disagree with you and enjoy the fact that Mr. West has, over the course of his career, collaborated and been art directed by people like Murakami, Kaws, Morning Breath, George Condo, and now, it appears he will be working with legendary graphic artist, Peter Saville.
Juxtapoz // Friday, August 23, 2013
One of the best bio descriptions we have read in a while: "Artist, hair icon, art director, cook, graphic designer, frenchie, Illustrator, dad, genius brain owner, tech digest, curator, co-owner The Contrepétographes." And then graphic designer Stéphane Massa-Bidal throws in this great quote from Larry Niven to complete the feeling: "The Dinosaurs Became extinct Because They Did not Have a space program." Well, then, that makes sense.
Juxtapoz // Friday, July 26, 2013
From Creative Review, on a unique poster art curation project that takes abandoned, disused public space and adds public art. "Since January 2013, [curator Jon] Bland – a designer at Manchester agency Music – has released seven quad size posters designed by seven different creatives each month, all featuring the phrase 'No Fly Posters'. The finished designs are displayed on boarded-up windows on a disused former pub in Ancoats, an industrial suburb near Manchester's Northern Quarter."
Juxtapoz // Thursday, July 18, 2013
We are fascinated by these old Michelin ads featuring the well known 'Michelin Man.' The iconic character dates back to 1894 and was created by Andre Michelin himself after noticing an evocatively-shaped pile of tires. Take a look through these old posters and video featuring the Michelin Man through the ages and in different continents.
Juxtapoz // Wednesday, July 10, 2013
We like sandwiches a lot. We thought our love of sandwiches was unmatched. Then we saw the genius of the 'Sandwich Book' by Polish photographer, illustrator and graphic designer Pawel Piotrowski. We are hoping he continues his project and creates a whole menu of 'Sandwich Books...' Very rarely does art make us hungry.
Juxtapoz // Thursday, June 27, 2013
If you are excited about summer, surf culture, rock and roll, and everything in between, then we have a book in mind for you. John Van Hamersveld (who we interviewed not too long ago) has just released his book Fifty Years of Graphic Design.This retrospective look at his practice as an iconic and prolific producer of graphic images rooted in all aspects of the West Coast counter culture provides insight and background to the stories behind each image and the various developments throughout his career.
Music // Friday, May 17, 2013
San Francisco-based graphic artist Scott Hansen goes by the name ISO50 when he works on his photography and design works. And much of it has the look of this video. When he does said video as a musician, he is Tycho, the music producer who makes what we would call "summertime ambiance." This is the video for his new track, "Ascension," directed by Charles Bergquist. Enjoy the psychedelic flourishes.
Juxtapoz // Tuesday, May 14, 2013
Generally funerals in Japan are a black and white affair, with any color or deviation considered disrespectful. I&S BBDO, a Tokyo-based ad agency was commissioned by Nishinihon Tenrei funeral home to create an unconventional ad. And that they did! "Creative director Mari Nishimura decided to create a real-size human skeleton made from pressed flowers."
Vault // Wednesday, May 08, 2013
News broke last week that NYC-based fashion staple, Supreme, was suing women's fashion line, Married to the Mob, for a copyright infringement based around the logo/graphic "Supreme Bitch." What many in the art world already understood is that Barbara Kruger, now a professor at UCLA and world renowned conceptual artist, was, and we say this gently, robbed of her style by Supreme with their now iconic logo. Kruger would never go on record saying she created the idea of a red box with Futura Bold Oblique look, but, well, she did. This is our cover story with Kruger from November 2010.