Getting Naked for Tyson McAdoo

Juxtapoz // Saturday, November 24, 2012
Tyson McAdoo's current body of work focuses primarily on female figurative digital paintings. McAdoo's balance between abstraction and realism creates an energy that thrusts the female form to dominate rolls of power. Born in '78 Tyson spent his formative years standing behind girls in ballet class learning the finer lines of the female anatomy...

Erotic Anime GIF Friday!!

Erotica // Friday, November 23, 2012
You know what they say, Anime boobs are better than no boobs at all- and so in this week's edition of Animated GIF Fridays, we bring you some seductive cartoon erotica for your viewing pleasure. Get your fix off of these busty, illustrated vixens and enjoy the freakin weekend.

Tyson McAdoo Wants to Draw You Naked

Erotica // Friday, November 23, 2012
Tyson McAdoo's current body of work focuses primarily on female figurative digital paintings. McAdoo's balance between abstraction and realism creates an energy that thrusts the female form to dominate rolls of power. Born in 78' Tyson spent his formative years standing behind girls in ballet class learning the finer lines of the female anatomy...

Works by Jean-Sebastien Rossbach

Erotica // Friday, November 23, 2012
Jean-Sebastien Rossbach is an award winning illustrator, concept artist, and painter. He's known for having illustrated the covers of Dan Simmons's Hyperion series, George R. R. Martin's A Game of Thrones, Robin Hobb's Royal Assassin and about a hundred more covers for novels, video games, comics, and so on...

A Little Thanksgiving Erotica

Erotica // Thursday, November 22, 2012
'Our apartment is set up with a huge bedroom, a generous kitchen and no dining room to speak of. So it isn’t too often that we throw dinner parties. In fact, we’ve never had guests over to eat. To drink, yes. To play, of course. Just not to dine. But when my 25th birthday happened to fall on Thanksgiving, my girlfriend Naomi decided that she wanted to do something extra special...'

The Lust and Indulgence of Terry Rodgers

Erotica // Thursday, November 22, 2012
'In my work, I attempt to reflect my sense of the times we are living in, and both how richly interesting they are and how difficult it is for most of us to navigate their uncharted waters. There is a great push and pull, the lure and the repulsion, the fiction and the real, the known and the unknown. And we live in this swirl of delicate gestures, driving desires, fantasy, economic complexity and interdependence, hierarchical separations, isolation and hope...'

Tiffany Bailey's 'Lush Boudoir'

Erotica // Wednesday, November 21, 2012
Tiffany Bailey is a photographer from New Orleans, LA. Her "Lush Boudoir" series, with voluptuous women and saturated colors, takes us inside the bedroom, turning fantasies of lace, stilettos, and tattooed ladies into reality.  

Vita di Milano's Art Historical Nudes

Erotica // Wednesday, November 21, 2012
To think that Vita di Milano's matte figurative paintings, with  voluptuous nudes and strong ties to art history, are simply further celebrations of the female form would be a mistake; in his paintings, di Milano "expresses his concerns about misconceptions and prejudice while elaborating on those socio/humanistic perspectives which are often masked by the veils of hypocrisy." Sort of reminds us of the Guerrilla Girls Met poster...    

Erik Truchinski's Photo Collages

Erotica // Wednesday, November 21, 2012
Each of these tactile black and white collages were handmade by the talented Erik Truchinski of Autumn Wind Photography who describes his work as "photograph[s] of the strange, obscure and anything I find beauty in and darkness hidden... the images I feel represent my mind." Erotic and dark, these collages feel like advertisements for the seedy underbelly of bondage culture.

Derek Woods' Erotic Polaroids

Erotica // Wednesday, November 21, 2012
Derek Woods' analog and Polaroid photographs of naked women almost seem like vintage pin ups. While the soft edges and tinted lighting of his photographs almost distance the them from their viewers in both time and space, the sitters' frontal poses confront the camera, exuding a very modern confidence.  

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