Back Talk: A Conversation with Dabs Myla

Juxtapoz // Thursday, August 11, 2011
Thinkspace is pleased to present ‘The Best Of Times’, an exhibition featuring new works and multiple installations from the collaborative duo of Dabs Myla. ‘The Best Of Times’ will showcase a dozen new acrylic paintings on wood panel alongside a small collection of graphite works on paper.

In L.A.: Dabs Myla Studio Visit

Juxtapoz // Friday, August 05, 2011
Dabs Myla recently invited us over to their studio for a sneak peek at what they have been working on for their upcoming solo show. Photos and more after the jump...

Super Smooth

Street Art // Friday, July 15, 2011
Stir it up, mash it up, blend it together, pour it out, let it marinate, put it back in, check it one last time, and walk away. Dabs, Myla, How, and Nosm collaboration in Los Angeles, California.  

Dabs Myla x How Nosm x Rime Wall

Juxtapoz // Tuesday, April 19, 2011
Melbourne-born, LA-based Dabs Myla and Spanish-born, NYC-based How & Nosm have teamed up for another nice mural in Hollywood, California, this time with "Art In the Streets" exhibiting artist, RIME. All the artists styles shine through quite clearly, with solid contributions from each. More looks after the jump . . .

Update: Dabs Myla with How & Nosm Finish "Cream of the Crop" Mural for LA Freewalls

Juxtapoz // Sunday, April 17, 2011
We showed you last week how we stumbled upon How & Nosm painting a large mural in downtown Los Angeles, but we couldn't make it over to watch Dabs Myla add their portion to the building-sized collaborative piece. Andrew Hosner of Thinkspace Gallery just sent us the completed piece, "Cream of the Crop," in pictures. More after the jump . . .

Thinkspace curates "LAX / PDX" at Together Gallery in Portland

Juxtapoz // Wednesday, March 30, 2011
Thinkspace Gallery of Los Angeles, California curated a group exhibition, LAX/PDX, at Together Gallery in Portland, Oregon, featuring over 60 paintings by 50+ artists from all over the globe as well as an installation by DABS MYLA. Lots of looks of the works after the jump . . .
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