Royal/T presents "Facemaker" featuring Eric Yahnker, Ben Jones

Juxtapoz // Monday, March 21, 2011
Kathy Grayson at The Hole Gallery in NYC is curating a show at Royal/T in Culver City, California, FACEMAKER, featuring “works from contemporary young artists including the title piece by Ben Jones, in addition to Shepard Fairey, Takashi Murakami, Barry McGee, Kenny Scharf, Eric Yahnker, Jane Moseley, Olaf Breuning, Carroll Dunham, David Shrigley, and Gary Webb, and the show will explore interpretations of the most universal element of human perception: the face..” More after the jump . . .

Back Talk—Peat Wollaeger

Juxtapoz // Friday, February 25, 2011
Peat Wollaeger opens a show in the Project Space at WWA Gallery in Culver City tonight, (Feb 25), and to coincide with his showing, we sent out a few Back Talk questions. Check them out after the jump . . .

Back Talk—KRK Ryden

Juxtapoz // Thursday, February 24, 2011
KRK Ryden, who has been featured in Juxtapoz before, has a new exhibition, The Ultra Glob Show, opening at WWA Gallery in Culver City this Friday night (Feb 25). If you remember, Mr KRK worked with the band DEVO back in the day. Back Talk after the jump . . .

"UK Street Art Print Nite" at Corey Helford Gallery this Saturday

Street Art // Wednesday, February 23, 2011
Corey Helford Gallery in LA is opening a new exhibition this Saturday (Feb 26), UK Street Art Print Nite, featuring a selection of fine art prints from various street artists based in England. Some of the artists featured include D*Face, Nick Walker, EINE, Dan Baldwin, Zeus, Will Barras, and Word To Mother. More information after the jump . . .

FREEFLOW—Barry McGee, Kehinde Wiley, Ed Templeton among others at Roberts and Tilton Gallery

Juxtapoz // Thursday, January 06, 2011
Robert & Tilton Gallery, who hosts such artists as Barry McGee, Kehinde Wiley, Ed Templeton, and Adam Pendleton, will be hosting all these artists plus a few more contemporary names at their Freeflow exhibition opening this Saturday in Culver City. More after the jump . . .
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