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Features
Ana Benaroya: Poetic Justice
The great and powerful Oz was revered and feared, but secretly, a humble and quiet creator, empowering an alter-ego to express his emerald-hued, fiery feelings. Ana Benaroya’s fervent paintings are
March 05, 2020
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JR: Everyday People
“Let me make an image that would describe [a feeling] without struggling with the words.” Midway through our tour of his massive retrospective, JR: Chronicles, at the Brooklyn Museum, JR quietly
December 05, 2019
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Derrick Adams: Be Who You Want To Be
Do you think when Gandhi said “Be the change you want to see,” he imagined a Black artist changing the world by creating a visual landscape where Black people are anything they want to be and eve
August 28, 2019
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Robin F. Williams: Model Behavior
Seated in Robin F. Williams’s Brooklyn studio, I am surrounded by paintings of women—bathing in water, playing football, vaping, and frolicking on the beach—rendered in her characteristically p
May 29, 2019
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Lucy Sparrow: Living In A Material World
Jet-lagged and trudging through a covered mini-mall of more than 50 shades of gray, more catacomb than commercial, I discovered the store–or it discovered me.
February 28, 2019
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Grace Weaver: The Big Picture
Seeing Brooklyn-based painter Grace Weaver’s solo show at Soy Capitán Gallery in Berlin in 2017 recalled all the reasons I love figurative portrait painting. In the ways that Joan Brown, Jacob Law
August 31, 2018
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OSGEMEOS: Everyday They Write the Book
Recognition and respect from the general public for something to which you've dedicated your life is probably one of the most satisfying feelings a person can experience, even sweeter when that recog
May 29, 2018
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Spring 2018 Cover Story: Inès Longevial's Life in the Balance
While wandering around in your favorite museum, there are many ways a work of art may move you emotionally. Stunning ancient sculptures evoke wonder about how the artist achieved such perfection minu
March 01, 2018
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Kerry James Marshall: The Key Figure
In 2016, the Kerry James Marshall retrospective, Mastry, traveled from the Museum of Contemporary Art in Chicago (MCA) to the Met Breuer. Standing behind the clear plexiglass podium, about to address
November 30, 2017
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