Juxtapoz // Friday, August 29, 2014
Team (gallery, inc.) is pleased to announce a solo show of work by New York-based artist Cory Arcangel. Entitled tl;dr, the exhibition will run from 14 September through 09 November 2014 and will inaugurate our project space in Los Angeles. Team (bungalow) in located at 306 Windward Avenue in Venice, CA. Concurrently, our 47 Wooster Street space in New York will house an additional show by Arcangel under the same title.
Juxtapoz // Tuesday, November 01, 2011
We are fans of Jux-featured artist, Cory Arcangel, and his reappropriation of media and popular culture. His new exhibition is of particular interest; Arcangel and French aritst Pierre Bismuth are collaborating in a presentation of Guy Debord’s 1973 film Société du Spectacle (Society of the Spectacle) with the instructional signal of a projector — “CHANGE BULB” — permanently blinking over the image track.
Juxtapoz // Tuesday, October 11, 2011
We were looking at various gallery line-ups for London's Frieze Art Fair that opens Thursday, October 13, and Team Gallery of NYC has one of the best we have seen. You can't go wrong with Cory Arcangel, Slater Bradley, Gardar Eide Einarsson, Massimo Grimaldi, Marc Hundley, Ryan McGinley, Dawn Mellor, David Ratcliff, Davis Rhodes, and Banks Violette.
Juxtapoz // Thursday, August 25, 2011
Cory Arcangel, whom we featured in our January 2011 issue, created this video of his version of Paganini’s 5th Caprice, spliced together from a few hundred guitar instructional videos. The video is part of Arcangel's exhibition at Whitney Museum of American Art, Pro Tools, up through September 11, 2011.
Juxtapoz // Monday, January 03, 2011
We are starting a new monthly post on Jux.com announcing and reviewing our monthly magazine that you can find on the newsstand. We start today with a look the January 2011 issue of Juxtapoz, featuring cover art by Tiffany Bozic. Fresh off Bozic's solo show in NYC, we sent Mike Giant to her San Francisco studio to catch up on her new body of work. More after the jump . . .