Graffiti // Friday, August 22, 2014
Carnage NYC has released their newest title Banksy in New York by writer and photographer Ray Mock. The 120-page book documents the month-long project or “residency” as the elusive UK artist called it that took place in New York in October of 2013. Banksy in New York offers a first-hand account of his residency: the defacement and removal of his pieces, reactions from neighbors and building owners and interactions between Banksy’s fans and foes.
Juxtapoz // Monday, August 18, 2014
Our good friend and contributor Henrik Haven has continued to document Urban Nation's Projects M/ in Berlin, most recently getting some behind the scenes coverage of PM/5, curated by Roland Henry and VNA Magazines. The project features a massive mural (and walls) by Eine and installations by Sickboy, Nick Walker, Xenz, Will barras, Mark Lyken, Pam Glew, Steff Plaetz, O TWO, SheOne and Ben Frost...
Graffiti // Friday, August 15, 2014
Continuing our coverage from the fifth annual Living Walls Conference in Atlanta, Georgia, we catch up on a number of artist’s working on their murals, with some ambitious participants taking on a second wall. Over the last few days many of the artists have been working directly in the stifling sun with no shade, but each have found ways to combat the heat (Most successfully being Fintan Magee regularly running through playground sprinklers!).
Illustration // Friday, August 15, 2014
Sea Walls: Murals for Oceans is a ground-breaking street art project created by PangeaSeed to bring the beauty and the plight of the world’s oceans into streets around the globe. By collaborating with internationally renowned artists, we create large-scale murals that focus attention on pressing environmental issues the oceans are facing.
Graffiti // Tuesday, August 12, 2014
On our first day in Atlanta for the Living Walls Conference we did what we always do, hit the streets to see what all the artists are working on. We started by riding a bike around to check everything out, but quickly abandoned the sweltering humidity combined with a whole lot of sweat and jumped at the opportunity to ride in a nice air-conditioned automobile to scope everything (Thanks Ben!).
Graffiti // Monday, August 11, 2014
Hello again Atlanta aka Hotlanta aka A-Town aka ATL! Juxtapoz has once again made its way down south to cover the 5th annual Living Walls Conference and all the events surrounding it. Over the next couple of days, we will be bringing you exclusive coverage of murals being painted by local and international artists, as well as the various other activities involved such as music, lectures, gallery exhibits, bike tours and more!
Juxtapoz // Friday, July 18, 2014
Tonight in London, Maurice Einhardt Neu Gallery will host an exhibition and party for the new Technicolor Risograph erotic zine, SEX PICNIC by Haifa-based artists, Broken Fingaz (printed by Hato press). We were fortunate to receive an advance copy of this sex saturated, dense with death zine and we can confidently say this is required material for any book/zine collector’s library.
Graffiti // Tuesday, July 15, 2014
The Wall Street Journal caught up with the prolific Brazilian artists, Os Gemeos, who recently opened their exhibition Opera of the Moon in Sao Paulo at Galpão Fortes Vilaça.
Juxtapoz // Thursday, July 10, 2014
Our friend VHILS just opened his first museum show, a substantial body of work, at the EDP Foundation in Lisbon, Portugal... and we have some great shots of the full installation. VHILS has been doing fantastic works in both gallieries and in the streets for years, and has been one of the most innovative street artists working in Europe. The exhibition was curated by João Pinharanda.
Street Art // Wednesday, June 25, 2014
We have featured the sculptural and performance-style works of NYC-based Aakash Nihalani in the print edition and web version of Juxtapoz over the years, and he just sent us images from his new project, Landline. He says of the new work, "In these new outdoor works, colorful bars pass through individuals, connecting them to each other and functioning as extensions of the urban landscape. The participants examine their own insides and connections, a visual expression of both the isolation and community I often feel living in Brooklyn. We spend so much time existing in virtual reality, these works are a visible connection to the real world."