Tonight, January 13, 2012, FIFTY24SF Gallery and American Zoetrope teamed up to present an installation in conjunction with Francis Ford Coppola's newest feature film TWIXT. The exhibiton, Twixt sc. 83, sees the art director and art department of the film remake entire sets from the film inside the San Francisco gallery. The art director of the film, Jimmy Dimarcellis, has been in the pages of Juxtapoz in years past. You have to play your own guessing game on that one.
The build-out of the gallery has completely transformed the space. The inside of a clocktower, birdhouses, photographs from the set, blood, and even Hall Baltimore's (Val Kilmer in the movie) book signing station are all in the immersive installation. And lots of Edgar Allan Poe. And some Dan Deacon.
FIFTY24SF Gallery, in association with Upper Playground and American Zoetrope, are pleased to announce TWIXT sc. 83, an exhibition and installation coinciding with legendary filmmaker Francis Ford Coppola’s newest feature film, Twixt. The exhibition opens January 13, 2012 with a public reception at 7PM.
Over his past three films, Francis Ford Coppola, famed director of The Godfather trilogy and Apocalypse Now, has set-out to create self-written, self-financed, self-produced, and self-distributed films with his own intimate crew. Developed through personal experiences, a love of American Gothic, Edgar Allan Poe, and Coppola’s own trials as a horror genre author, Twixt is the story of B-list author Hall Baltimore’s process of writing his new mystery while researching an old murder case in a remote Northern California town. While Baltimore (played by Val Kilmer) is seemingly rewriting history with the help of the an eccentric town sheriff, he finds himself embedded in his most personal, demanding story he has ever written. Filmed around Northern California with locals as actors, as well as sets built on Coppola’s own property in Rutherford, Twixt examines the process of storytelling as it applies to personal experience, artistic influences, and the classic American genres that have become staples of modern cinema.
Working within their own self-financed restraints and freedoms, the team behind Twixt had the unique experience of researching and building sets in and around Coppola’s home in Northern California. Many of the sets were built in Coppola’s backyard, while some required the small town backdrops of Northern Napa and Lake counties. In keeping with the original spirit of American horror, some scenes were created with intentional kitsch, while some dream sequence were shot with highly-detailed, ornate sets and original post-production work.
For TWIXT sc. 83, members of Twixt’s tiny tiny Art Dept, (Jimmy DiMarcellis, David Hopp, and John Paul Goorjian) will be rebuilding the set of the film’s dramatic climax sequence, scene 83. The center of the gallery will feature a remake and stand-alone installation of the film’s clock tower, shown in the film as an impromptu 3D experience. Also on display from Twixt, will be bat and birdhouses from Nice, California artist John Hathaway, whose front yard/gallery/shop “The Woodpecker”, was a key set in the film. TWIXT sc. 83 will also feature a series of other pieces from the film’s set department that were found around different locations in Northern California and in the Coppola archives, as well as behind the scenes and set photography by the film’s executive producer, Anahid Nazarian and Set Photographer, Kalman Mueller. The gallery will run trailers of the film, along with other enhancements to bring Twixt’s horror scenes to life.
Art Department at work...
Twixt Sc. 83
Opens January 13, 2012
San Francisco, California