Spime brings her intuitive paintings of varying scale to Thinkspace Projects with Fish Out of Filtered Water. She embeds and juxtaposes personal imagery of the present, while critically engaging with the culturally and emotionally determined actions of the past.
In Fish Out of Filtered Water, Spime marks the inception of an idea with the inclusion of works on paper. For Spime, fragmented drawings are a reflection of progress in an accelerating society or attention economy. ‘You have to be as fast as possible and as omnipresent as possible,’ she explains. ‘The drawings become a form of subconscious diaries of the everyday psyche, while exercising a sense of letting go of the outcome of work, because to create new ideas means letting go of control.’
Spime’s paintings often read as an introspective reality of subconscious activities–reveries, dreams, and memories, exploring the complexity of identity, identity-formation and their forms of expression. Her work is characterized by figures in a whimsical shape, artificial hues, and flatness. While the main figure plays a central role in each work, the background remains as an unknown place that leads the viewer to mull over the meaning of the images. With the recurring motifs throughout Spike's paintings - the border between day and night, fruits that evoke color prejudice, orbs implying glances - the artist speaks about our desire to belong and contemporary emotional states in a sequenced narrative.
