Drawing inspiration from natural organic forms, Rogan Brown looks for "patterns and repeated motifs that run through natural phenomena at different scales." Each piece involves a labor-intesive process creating thousands of hand-cut slices. "The finished artefact is really only the ghostly fossilized vestige of this slow, long process of realisation."
My work is an exploration and re-presentation of natural organic forms both mineral and vegetal. I look for patterns and repeated motifs that run through natural phenomena at different scales, from the microscopic to the macroscopic, from individual cells to large scale geological formations.
I am inspired in part by the tradition of scientific drawing and model making, and particularly the work of artist-scientists such as Ernst Haeckel. But although my approach involves careful observation and detailed "scientific" preparatory drawings these are always superseded by the work of the imagination; everything has to be refracted through the prism of the imagination, estranged and in some way transformed.
I want to communicate my fascination with the immense complexity and intricacy of natural forms and this is why the process behind my work is so important. Each sculpture is hugely time consuming and labor-intensive and this work is an essential element not only in the construction but also in the meaning of each piece. The finished artefact is really only the ghostly fossilized vestige of this slow, long process of realisation .I have chosen paper as a medium because it captures perfectly that mixture of delicacy and durability that for me characterizes the natural world.