Tonight, Saturday, April 7th, 2014 Cotton Candy Machine in Brooklyn will be an exhibition with Ciou, Malojo, and Dima Djuchin.
Ciou, was born in Toulouse in 1981, she actually works and lives in her home town, after living in Bruxelles and Paris. Suspended between dream and nightmare, her paintings consist of a base made of a collage of old papers, taken from old medical books, dictionaries, and nature manuals, where she uses acrylic and ink; creating her own personal mixed media. Her Influences are diverse : the American vintage culture from the 30′s to the 70′s, the Victorian style and the European barocco too, however she is focused on the Japanese culture and Japanese traditional and contemporary art. Her style is characterized by a line of great expressive force and a language where the power of color and deformation of shapes combine to make her stroke unmistakable. Ciou creates her own « necro-kawai » cosmology of characters mainly centered around witch-y nature burlesque girls and their strange animal companions. Her new works feature florescent psychedelic colors as a foil for her obsessive black line work. Her darkly charming works are creepy in a very playful way, a little bit of sweet and a little bit of sour in a friendly and dangerous world .
Malojo born in Bayonne (Bask Country), lives and work in Toulouse. Comics, cartoons and old monster's movie posters are his first loves. Also fascinated by classic painters like Bosch, Bruegel or Caravage, they are as important to him as Tex Avery, Walt Dysney and Chuck Jones. The humor, sometimes cruel, of those cartoons characters as he loves the horrible scenes of religious painting. It came on his own to start painting funny monsters with tortured flesh and cute puppies with bad intentions.
Dimitri Drjuchin is an artist/musician who was born in Moscow, but grew up making images and sounds in New York City. Wielding the culmination of human potential wrought from the depths of the bicameral mind, Drjuchin’s art is a hyperdimensional machine that invokes creatures who come bounding forward with affection and recklessness. These are not the Icons of the Byzantine Church—they are the new Incarnated Symbols of the Multiverse. Drjuchin allows us a glimpse into a fractulated moment of cultural hypnagogic modality and an opportunity to alter our perspectives of reality.
Ciou, Malojo, and Dima Drjuchin
Opening Event Saturday April 5th
7 to 11pm