Image Gallery

Robin Williams "Sons of the Pioneers" @ PPOW Gallery, NYC

Juxtapoz // Thursday, 30 Jan 2014
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P.P.O.W is pleased to present Robin F. Williams’ second solo exhibition at the gallery entitled Sons of the Pioneers. Through a series of paintings Williams challenges the roles of American masculinity and traditional portraiture by replacing the idyllic female, or odalisque, with romanticized scenes of men in various states of idleness. The narratives depicted circle around an inverted version of manifest destiny wherein men abandon their conquests and choose stillness, allowing the next frontier to be an inward quest. Through various painting techniques and a neon palette, Williams drapes each figure with mixed identities that mask traditional signifiers of purpose and patriarchy in order to construct a new and sympathetic masculine mythology.

Williams presents each portrait from her position as the “other,” using the tondo as a strategy to reinforce the voyeuristic, peeping nature of the artist’s gaze. In the works Hunter, Astronaut, Onlooker and Sun Hat Sunset, she adorns each male with ornamental hats and accessories, allowing them to reflect sensibilities not typically associated with the male portrait. In these works, Williams repeats patterns and foliage so to weave her subjects together while consciously shifting her treatment of the paint to simultaneously create a sense of individualism for each character. Using external props, some self made and others her own clothing, Williams is able to further reflect the subject’s sense of a shared identity, complicating the concept of otherness.

Sons of the Pioneers continues Williams’ exploration of psychological portraiture and marks a departure from her depiction of children, which was the focus of her previous exhibitions. It is evident in these works that Williams’ painting techniques have continued to develop alongside her expanded subject matter. Within these works Williams draws resemblance from the innovative mark making of post-impressionist Georges-Pierre Seurat, to the paintings of Mary Cassat that re-cast the role of women over a century ago, to the psychedelic pallet of nineties graphic designer Lisa Frank.

 

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