Frédéric Brenner: An Archaeology of Fear and Desire @ Howard Greenberg Gallery, New york

Photography // Thursday, May 21, 2015
An exhibition of recent photographs of Israel and the West Bank by Frédéric Brenner is currently on display at Howard Greenberg Gallery in New York. An Archeology of Fear and Desire is part of an unprecedented photographic project by Brenner, which explores the complexity of Israel and the West Bank as place and metaphor. 

"Paths will Cross" @ Seeing Things Gallery

Photography // Thursday, May 21, 2015
Clear your calendar for June 12th if you are anywhere near San Jose, California, because Seeing Things Gallery will be hosting a two-man show entitled Paths May Cross by photographers Brad Westcott and Phil Jackson. What to except? We’re not sure, but we are guessing awesome photos of skateboarding, trains, adventures and more.

The Work Nate Walton (NSFW)

Photography // Thursday, May 21, 2015
We’ve shared Nate Walton’s work in the past and today we revisited his Tumblr finding a bunch of new stuff, so why not keep you updated? Walton is Los Angeles-based photographer, whose grainy, naturally lit film photos more often than not focus on the subject of women (predominately their butts we’ve come to notice), but occasionally some other great stuff slides in there as well.

Photographs by Jason Nocito

Photography // Wednesday, May 20, 2015
Few photographers can successfully balance both the commercial and fine art side of photography like Jason Nocito. The New York-based photographer has excelled in his personal work publishing a number of books with Dashwood books, while successfully being sought after to shoot fashion spreads, commissioned portraits or advertising campaigns. His work is often highly saturated in color, stoney, comical, abstract and a ton of other things, but most all it’s just really, really good.

The Photographs of Misha Gordin

Photography // Wednesday, May 20, 2015
We have posted Riga, Latvia-based photographer Misha Gordin's Crowd series before. Here is a collection of some of his other work. The images look like digital reproductions but are all "assembled and printed in a traditional darkroom."

A sense of place

Photography // Tuesday, May 19, 2015
Published on the occasion o the exhibition at Pier 24, A Sense of Place explores how photographs shape the perception of our environments. Together, the exhibited works shift in scale from room size installations to small, quiet photographs, transporting the viewer through a variety of locations, memories, and emotive experiences. 

“ONE HUNDRED SEATS – THE 113TH” by Colin Todd

Photography // Tuesday, May 19, 2015
In his series “ONE HUNDRED SEATS – THE 113TH”, New York-based photographer Colin Todd takes official portraits provided by the members of the 113th US Senate and attempts to remove the subject from the portrait completely. In addition to being a blunt political statement, the series comments on tropes in the very specific genre of official portraiture. 

Dina Oganova's "I Am Georgia"

Photography // Monday, May 18, 2015
We became aware of Dina Oganova aka Dikarka’s (Wild Girl) photographs when she was nominated this year for PDN’s 30, a well deserved award for a photographer with an innate sense for making imagery. In her series I Am Georgia, which she began as a student, Oganova beautifully documents the post-Soviet generation in the country of Georgia.

Inuit Now

Photography // Monday, May 18, 2015
With just over two weeks to go, photographers Dennis Lehmann and Lasse Bak Mejlvang are using Kickstarter to fund a photobook project that they have been working on for the past year. The book, titled “Inuit Now”, documents what it means to be Inuit in Greenland today.

Inge Morath & Enoc Perez @ Danziger Gallery, NYC

Photography // Monday, May 18, 2015
Danziger Gallery is pleased to present a two-person show of photographs by Inge Morath and photo collages by Enoc Perez. Created half a century apart, both works share a sense of humor, an interest in concealment, and a delight in cutting and making shapes out of paper.
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