Art By Jemima Panda

Juxtapoz // Tuesday, March 24, 2015
Tonight we are intrigued by the paintings, drawings and prints of mysterious artist Jemima Panda. Sweet dreams.

50 Years Strong

Photography // Tuesday, March 24, 2015
For her series “The Lovers”, England-based photographer Lauren Fleishman set out to find couples who have been married at least fifty years. Originally intending to photograph fifty couples, the project soon almost doubled as she began collecting the love stories of almost 100 couples. 

Preview: Revok "Los Angeles" w/Library Street Collective @ 1242 Palmetto Street, Downtown Los Angeles

Juxtapoz // Tuesday, March 24, 2015
Detroit-based contemporary art gallery, LIBRARY STREET COLLECTIVE, is pleased to announce the much-anticipated Los Angeles exhibition by REVOK. This will be the artist’s first solo exhibition in Los Angeles, unveiling an entirely new body of work featuring over a dozen hand-painted wood assemblages of enthralling geometric forms in vibrant oil enamel and synthetic polymer. The work is a culmination of REVOK’S new ideas that spawned since moving back to Los Angeles in 2013 after a two-year creative hiatus in Detroit.

Vhils "Dissonance" @ Lazarides, London

Juxtapoz // Tuesday, March 24, 2015
Lazarides Rathbone is pleased to announce a new multidisciplinary exhibition by Portuguese artist Alexandre Farto aka Vhils. Dissonance presents a powerful response to contemporary culture and rapid urban regeneration, featuring reoccurring figurative compositions comprised of wood, billboard, metal and Styrofoam dioramas. Go get 'em Vhils!

That's My Trip curated by Andrew Schoultz @ Joshua Liner Gallery, NYC

Juxtapoz // Tuesday, March 24, 2015
Juxtapoz friend, former cover artist, and often Juxtapoz Projects-collaborator Andrew Schoultz is curating a show at Joshua Liner Gallery in New York City that opens on March 26, 2015. The exhibition features sculpture, installation, painting, and works on paper from Claire Colette, Cody Hudson, Francesco Igory Deiana, Hilary Pecis (above, and holy shit we love it), Libby Black, Louis Schmidt, Matt Gonzalez, Michel Tabori, Patrick Martinez, Ryan Travis Christian, Terry Powers, Timothy Bergstrom, as well as Schoultz. The exhibition runs through May 2, 2015.

Souther Salazar’s “Attic Transmissions”

Juxtapoz // Tuesday, March 24, 2015
Souther Salazar has a new show called “Attic Transmissions” opening this weekend, March 28, at Narwhal in Toronto. His latest works are a continuation of his intricate, joyful and mysterious dreamscapes with many details to admire.  

Never Before Published Photos of Studio 54 by Hasse Persson

Photography // Tuesday, March 24, 2015
In 1977, at the height of the disco craze, a club opened at 254 West 54th Street in New York City. Studio 54 was—and, arguably, remains—the world's most renowned and legendary disco. Regularly attended by celebrities such as Andy Warhol, Elizabeth Taylor, Mick Jagger, Bianca Jagger, Jerry Hall, Debbie Harry, Grace Jones, Michael Jackson, Calvin Klein, Elton John, John Travolta, Brooke Shields and Tina Turner, the club fostered an atmosphere of unadulterated hedonism for New York's art and fashion set.

New FKA twigs Video "Glass & Patron"

Music // Tuesday, March 24, 2015
FKA twigs just released a brand new song "Glass & Patron" and a self-directed music video ahead over her forthcoming new EP which is expected to be released later this year.

Ariana Papademetropoulos: “Wallflower at the Orgy”

Juxtapoz // Tuesday, March 24, 2015
Ariana Papademetropoulos makes large-scale paintings that play with perception and reality, and reflect on contemporary culture. She just opened her first first solo show, “Wallflower at the Orgy,” (a title borrowed from Nora Ephron) at Sade in LA.

Paintings by Anne Von Freyburg

Juxtapoz // Tuesday, March 24, 2015
The recent works by Anne Von Freyburg explore the operation and inscrutability of aesthetics. The life-size mixed media tableaux show human-like figures in various states of transformation. Following in the footsteps of Western Romanticism, Von Freyburg takes subjective experiences as a starting point for her work. At the same time, she deliberately chooses to apply cliché and symbolic imagery to fit within the new context of the human body.

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