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Features
Bony Ramirez: Cutthroat
At one point in our conversation, Bony Ramirez referred to his work as "cutthroat,” and I kind of fell in love with the word as soon as he uttered it. As I let it linger in my mind, it began to dan
April 22, 2024
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The SPRING 2024 Cover Story: Trapped in Light with Christian Rex van Minnen
We arrive at things from the inside out, from within our experience to everything outside of it. The wonderful thing about Christian Rex van Minnen and other great artists like him is a conviction th
April 15, 2024
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Deng “Demo” Shiqing: The People Listener
Whether in-person or in the movies, Deng “Demo” Shiqing has a habit of listening to other people’s conversations. A recent viewing of Emerald Fennell’s black-comedy thriller Saltburn echoes t
April 09, 2024
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The Past, Present and Future of Jameson Green
Freedom is a term we often use when trying to explain the essence of a good painter, or a good artist in general; that they show a sense of freedom, of an originality that makes their art feel fresh,
April 01, 2024
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Jean Jullien: The Art of Escapism
Jean Jullien is telling me about a trilogy of shows he created about his life on a January day from his studio in Paris, when I realize he might have the greatest output of a contemporary artist I ha
March 25, 2024
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The Dadaism of Dada Khanyisa
Cape Town-based artist Dada Khanyisa isn't a Dadaist, so maybe the title here might be a little misleading. But as I thought about the work Khanyisa makes, a mix of politically astute and what is the
March 18, 2024
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Kevin Christy: A Step Up the Ghost Ladder
Kevin Christy is one of my very few art-buddies, and now that I think about it, probably my only one. I live in a self-imposed art-vacuum in Orange County, and he lives in Los Angeles, so when I driv
March 13, 2024
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Gretchen Scherer: If Rooms Could Talk
The term Dollhouse Effect could infer feelings of confinement, being trapped in a small place. In psychology, it is considered a process that creates a safe space to design one’s own narrative—pe
March 11, 2024
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Lee Quinoñes: In Graffiti We Trust
In spring 1974, thirteen-year-old Lee Quiñones took his schematic drawings into a tunnel and spray painted “LEE” in gold, white, and black on the small panel of a New York City BMT train. An ins
March 04, 2024
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Maud Madsen: Formative Moments
Maud Madsen plunged headfirst into a welcoming art world, fairly fresh from her MFA program, with incomparable paintings oscillating between tension and leisure, confusion and calm. Our conversation
February 28, 2024
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Von Wolfe: A Supermodern Romantic
I almost did a triple take during a recent conversation with a colleague as we considered being nearly a quarter of the way through the 21st century and realized that all things we imagined as the fu
February 26, 2024
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April Bey: A Trip To Atlantica
Drawing from her own experiences in Bahamian and American cultures, April Bey’s work as both an artist and educator critically explores themes of race, identity, supremacy, and colonialism. A self-
February 05, 2024
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