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One Long Funeral Song: Monica Canilao and Kyle Ranson
Friday August 22, 2008 |
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One Long Funeral Song
Also included in the diverse works were wood-burned portraits, a dead magician painted within a three dimensional coffin. There were also ‘fashion’ pieces which adorn female mannequins and include animal pelts worn as headdresses and weapons fashioned out of animal jaw bones. The use of many different mediums is a signature of Canilao’s work; she admits to using recycled and found objects in her work because of the past lives each of these objects possesses. As well as these re-used materials, the works also includes embroidery, synthetic hair, lace, stenciling, feathers, tree branches, collage and woven paper.
The works center around the ideas of two ‘magicks’ coming together; the indigenous magiks of native cultures that are more connected to earth and natural elements and those of secret societies such as the Free Mason’s. A jeweled King is placed next to bare-chested warrior; a colonial George Washington, adorned with a loincloth bearing masonry symbols stands vigilant over the tattooed dead magician. The contrast between these two societies is apparent in the way Canilao and Ranson have painted and assembled it’s members, however, the harmonious way they share space in the gallery with the viewer allows for a third society to be born, one in which we are invited to join.
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