Inspired by Glennray's incredibly well-rendered photorealistic paintings, we had to know more about his process and intention. We threw a few questions his way and here's what he had to say:

Did you go to art school? And how long have you been painting?

I received an MFA in painting from the University of Mississippi in 1976. I started oil painting as a teenager. However, I've drawn since I could hold a pencil.

Do you use exclusively oil paint? On canvas?

I only use oil paint. Most of my paintings are on canvas, sized with rabbit skin glue, or acrylic gesso.

Occasionally, I will paint on paper, also sized the same as the canvas. I paint with sable, nylon, and ox hair brushes. These are flats, ranging from size # 2 to #12. I also use size # 1 (for signing) and #2 round nylon brushes.

Why do you incorporate marbles into your work so often?

Among the things I'm dealing with in my work are the ironies involved in the difference between children and adults. Metaphor is of great importance to me and my work. I'm fascinated with the complexity of shape, reflection, and color contained in a marble, and -- at the same time -- a marble's metaphorical potential is tremendous.

Why do you incorporate marbles into your work so often?

Among the things I'm dealing with in my work are the ironies involved in the difference between children and adults. Metaphor is of great importance to me and my work. I'm fascinated with the complexity of shape, reflection, and color contained in a marble, and -- at the same time -- a marble's metaphorical potential is tremendous.

What is your take on the current art market/world?

I'm watching a new, exciting phenomenon occur: mass global accessibility. The Internet is turning the world into one city. Countries and towns are becoming the new neighborhoods. Consequently, art is more broadly appreciated and more visibly attainable than ever before.

How have you seen your own work progress throughout your lifetime?

My abilities to manipulate the intellectual, emotional, and physical elements in my creative process have steadily improved. As a result, my paintings have consecutively shown more clearly my artistic intentions.

Do you have any advice for new/emerging artists today?

First of all, it's an exciting time to be an artist. Don't let this go under-appreciated.

My advice to any young artist is to develop (if one hasn't) and maintain self-discipline in relation to a working regime. Proceed to work, whether you're inspired or not.

If enthusiasm is not present on a particular day, then pretend it. Persevere.

More on Glennray Tutor at  www.glennraytutor.com

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